The Rough Guide to the Music of Ethiopia (2012 album)
From Wikipedia, the free encyclopedia
| The Rough Guide to the Music of Ethiopia | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by Various artists | ||||
| Released | 25 September 2012 | |||
| Genre | World, Ethiopian | |||
| Length | 117:05 | |||
| Label | World Music Network | |||
| Full series chronology | ||||
| ||||
| Complete list | ||||
The Rough Guide to the Music of Ethiopia is a world music compilation album originally released in 2012. Part of the World Music Network Rough Guides series, the release contains two discs: an overview of the music of Ethiopia—focusing mainly on 21st century pop—is found on Disc One, while Disc Two features dub-style musician Invisible System.[1] The compilation was curated by Dominic Raymond-Barker and Phil Stanton, co-founder of the World Music Network, who was also the producer.[2] It is the second compilation by this name: the first volume, focusing on music of the 1960s, was released in 2004.[3]
| Review scores | |
|---|---|
| Source | Rating |
| Robert Christgau[1] | A- |
| AllMusic[4] |   |
| PopMatters[5] |  |
| The Independent[6] | |
The compilation's release was met with positive reviews, with Robert Christgau including it in his top albums of 2012.[7] Writing for AllMusic, Chris Nickson described it as an "indispensable primer" and "a real winner".[4] Both Christgau and Deanne Sole of PopMatters compared the album with Buda Musique's Éthiopiques series (which had reached 27 volumes by 2012), with Sole discussing its role in creating the sense of age now attributed by Western world music listeners to Ethiopian music (which she calls "uncanny"), and how most tracks on the Rough Guide album are in fact by the Ethiopian diaspora and foreigners.[8][1][5] Howard Male of The Independent said the album is one of the occasional Rough Guide compilations to "hit the bull's eye" and called Disc Two's Invisible System "arguably the most experimental Ethio-fusion project of them all."[6] This disc was the focus of BBC Music's review, where Robin Denselow called the tracks "boldly unusual" and "impressively original stuff".[9]
