The Secret of My Success (musical)

The musical was mid-run for its world premiere and pre-Broadway tryout at the Paramount Theatre in March 2020 with Sydney Morton (Christy Lockhart) and Billy Harrigan Tighe (Brantley Foster/Carlton Whitfield) as leads and Greenberg directing when production was shut down due to the coronavirus pandemic.^[5][6][7] It had been scheduled to run from February 21 – March 29, and the final performance was March 12, as Illinois governor J. B. Pritzker shut down all performance venues starting March 13.^[6][8]

In 2022, the musical was remounted at the Hobby Center for the Performing Arts by Theatre Under The Stars in Houston, Texas. ^[9]

Reviews of the pre-Broadway tryout were generally positive, though most were at least initially puzzled by the choice of source material.^{[1][5][10][11]} Chicago Sun-Times critic Catey Sullivan, calling the movie a "dumpster fire" and wondering "How on God’s green earth could anyone watch the 1987 film’s parade of stereotypes and misogyny and think, 'Hey! Let’s make it a musical!'?", said the musical was "a triumph over its source material."^[10] She predicted Broadway success.^[10] Chicago Tribune critic Chris Jones questioned whether the storyline, which he said had seemed dated in 1987, was edgy enough to attract a modern Broadway audience.^[5] He described the production as a "whip-bang, fast-paced, old-school, we-love-New York kind of show" and complimented its music and production values.^[5] Around the Town critic Alan Bresloff had also questioned whether the source material could be made interesting to modern audiences, but that the show had proved him wrong.^[1] New City Stage critic Noel Schechter had also questioned the wisdom of using the source material for a new musical but was convinced, crediting the success to the creation of multiple strong female lead characters, including Morton's Christy Lockhart and Heidi Kettenring's Vera Prescott.^[11] Jack Helbig of the Chicago Reader was unenthusiastic, calling the book "bland" and "cliched" and the music "forgettable", although he called out some of the performances, including those of Morton and Kettenring, for bringing "heart and fire" to the production.^[12]