The Tradition (poetry collection)
From Wikipedia, the free encyclopedia
![]() L. Ralphi Burgess, You're in the Middle of the World, ca. 2017, acrylic and mixed media, 18" × 25"[1] | |
| Author | Jericho Brown |
|---|---|
| Audio read by | JD Jackson |
| Cover artist | Lauren Ralphi Burgess |
| Language | English |
| Genre | Poetry |
| Publisher | Copper Canyon Press |
Publication date | April 2, 2019 |
| Publication place | United States |
| Media type | Print (paperback and hardcover), e-book |
| Pages | 110 (paperback) |
| Awards | Pulitzer Prize for Poetry (2020) |
| ISBN | 978-1-55659-486-1 (paperback) |
| OCLC | 1113894902 |
| 811/.6 | |
| LC Class | PS3602.R699 A6 2019 |
| Preceded by | The New Testament |
The Tradition is a 2019 poetry collection by American poet Jericho Brown.[2]
The collection won the 2020 Pulitzer Prize for Poetry.[3] Judges of the prize called the book "a collection of masterful lyrics that combine delicacy with historical urgency in their loving evocation of bodies vulnerable to hostility and violence."[4]
- I
- "Ganymede"
- "As a Human Being"
- "Flower"
- "The Microscopes"
- "The Tradition"
- "Hero"
- "After Another Country"
- "The Water Lilies"
- "Foreday in the Morning"
- "The Card Tables"
- "Bullet Points"
- "Duplex"
- "The Trees"
- "Second Language"
- "After Avery R. Young"
- "A Young Man"
- II
- "Duplex"
- "Riddle"
- "Good White People"
- "Correspondence"
- "Trojan"
- "The Legend of Big and Fine"
- "The Peaches"
- "Night Shift"
- "Shovel"
- "The Long Way"
- "Dear Whiteness"
- "Of the Swan"
- "Entertainment Industry"
- "Stake"
- "Layover"
- III
- "Duplex"
- "Of My Fury"
- "After Essex Hemphill"
- "Stay"
- "A.D."
- "Turn You Over"
- "The Virus"
- "The Rabbits"
- "Monotheism"
- "Token"
- "The Hammers"
- "I Know What I Love"
- "Crossing"
- "Deliverance"
- "Meditations at the New Orleans Jazz National Historical Park"
- "Dark"
- "Duplex"
- "Thighs and Ass"
- "Cakewalk"
- "Stand"
- "Duplex: Cento"
Reception
Publishers Weekly called it "searing" and wrote that Jericho's duplex form "yields compelling results".[5]
Elizabeth Lund of The Washington Post called it "compelling and forceful because it wonderfully balances the dark demands of memory and an indomitable strength."[6]
