The Unfriend
2022 play by Steven Moffat
From Wikipedia, the free encyclopedia
The Unfriend is a play written by Steven Moffat. The plot centres on suburban couple Peter and Debbie, whose polite invitation to a stranger on holiday has dire consequences.
Elsa
Peter
Rosie
The Neighbour
PC Junkin
Alex
| The Unfriend | |
|---|---|
| Written by | Steven Moffat |
| Characters | Debbie Elsa Peter Rosie The Neighbour PC Junkin Alex |
| Date premiered | 21 May 2022 |
| Place premiered | Minerva Theatre, Chichester |
| Original language | English |
Production
The play was due to premiere at the Minerva Theatre, Chichester as part of the 2020 Festival. However, due to the COVID-19 pandemic the play was postponed to 2022.[1] The play began previews on 21 May 2022, with a press night on 26 May. It ended its planned limited run on 9 July 2022. The play is directed by Mark Gatiss (in his directorial debut), designed by Robert Jones, lighting design by Mark Henderson and starring Amanda Abbington, Frances Barber and Reece Shearsmith.[2][3]
The playtext was published by Nick Hern Books on 26 May 2021.[4]
The Unfriend transferred to the West End, opening at the Criterion Theatre on 19 January 2023, following previews from 15 January.[5] It played a limited run to 16 April 2023, with the original cast from Chichester all returning.
In July 2023, it was announced the play would return for another West End run at the Wyndham's Theatre, starring Lee Mack, Sarah Alexander and Frances Barber returning as Elsa, with performances between 16 December 2023 and 9 March 2024.[6]
Cast and characters
| Character | Chichester | West End | West End Remount[7] |
|---|---|---|---|
| 2022 | 2023 | ||
| Debbie | Amanda Abbington | Sarah Alexander | |
| Elsa | Frances Barber | ||
| Peter | Reece Shearsmith | Lee Mack | |
| Rosie | Maddie Holliday | ||
| The Neighbour | Michael Simkins | Nick Sampson | |
| PC Junkin | Marcus Onilude | Muzz Khan | |
| Alex | Gabriel Howell | Jem Matthews | |
Critical reception
The Chichester production of the play received positive reviews from WhatsOnStage.com,[8] The Daily Telegraph,[9] The Stage and The Guardian.[10]
Timeout magazine described the West End production as "Waffly, unfocused and above all, bland".[11]