The Ups and Downs of a Handyman

1975 British film by John Sealey From Wikipedia, the free encyclopedia

The Ups and Downs of a Handyman (also known as Confessions of a Handyman, Confessions of an Odd-Job Man and The Happy Housewives) is a 1975 British comedy film directed by John Sealey and starring Barry Stokes, Sue Lloyd and Bob Todd.[1] It was written by Derrick Slater and Sealey.

Directed byJohn Sealey
Written byDerrick Slater
John Sealey
Produced byKenneth F. Rowles
Quick facts Directed by, Written by ...
The Ups and Downs of a Handyman
Theatrical release poster
Directed byJohn Sealey
Written byDerrick Slater
John Sealey
Produced byKenneth F. Rowles
StarringBarry Stokes
Sue Lloyd
Bob Todd
CinematographyDouglas Hill
Edited byJim Atkinson
John W. Carr
Music byVic Elms
Production
company
K.F.R. Productions
Distributed byTarget International
Release date
  • November 1975 (1975-11)
Running time
100 minutes
CountryUnited Kingdom
LanguageEnglish
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Plot

After his wife inherits a cottage in the countryside, Bob takes up a job as the local handyman, but soon becomes entangled with the women of the village.

Cast

Critical reception

The Monthly Film Bulletin wrote: "An unexpected gag is provided by Gay Soper in The Ups and Downs of a Handyman when she is momentarily seen singing snatches of the aria from Citizen Kane in a bathtub. Otherwise, if there are any ups to be had watching this repressive, sniggeringly unfunny soft-core farce, then they must have been brought along by the spectator. And in that case, the film has all the downs necessary to annihilate them ten times over, incidentally making it an extremely effective form of birth control."[2]

The Radio Times wrote: "another cheap-and-cheerful sex comedy in the vein of Timothy Lea's naughty bestsellers. Barry Stokes brings a certain cheeky charm to the title role, while Gay Soper, Sue Lloyd and Valerie Leon find him plenty to do around the house. What little comedy there is comes from Benny Hill stalwart Bob Todd, as the local magistrate, and Chic Murray, as a harassed bobby. Derrick Slater's script is one long smutty gag, while John Sealey's direction is perfunctory at best."[3]

References

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