The Weasel's Tale
2019 film
From Wikipedia, the free encyclopedia
The Weasel's Tale (Spanish: El cuento de las comadrejas) is a 2019 Argentine-Spanish black comedy film directed by Juan José Campanella starring Graciela Borges, Oscar Martínez, Luis Brandoni and Marcos Mundstock alongside Clara Lago and Nicolás Francella. It is a remake of 1976 film Los muchachos de antes no usaban arsénico.
- Juan José Campanella
- Darren Kloomok
by José Martínez Suárez & Augusto Giustozzi
| The Weasel's Tale | |
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| Spanish | El cuento de las comadrejas |
| Directed by | Juan José Campanella |
| Screenplay by |
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| Based on | Yesterday's Guys Used No Arsenic by José Martínez Suárez & Augusto Giustozzi |
| Produced by |
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| Starring | |
| Edited by | Juan José Campanella |
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Release dates |
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| Language | Spanish |
Plot
The plot follows four aged people living in an old mansion (Mara, Pedro and Martín and Norberto), all of them professionally related to the showbiz (respectively lead actress, bit-part actor, screenwriter and director) and how they deal with the arrival of the young Bárbara and Francisco, who are real estate developers wanting to purchase the plot.
Cast
- Graciela Borges as Mara Ordaz[1]
- Oscar Martínez as Norberto Imbert[1]
- Luis Brandoni as Pedro de Córdova[1]
- Marcos Mundstock as Martín Saravia[1]
- Clara Lago as Bárbara Otamendi[1]
- Nicolás Francella as Francisco Gourmand[1]
Production
The screenplay was penned by Juan José Campanella and Darren Kloomok, remaking the 1976 black comedy Yesterday's Guys Used No Arsenic, directed by José Martínez Suárez and written by Martínez Suárez alongside Augusto Giustozzi.[2][3] A co-production among Argentine and Spanish companies, it was produced by 100 Bares, Telefe & Viacom, Jempsa S.A., Tornasol and Canarias cinema 01, and it had the participation of RTVE and Movistar+.[2][4]
Release
Reception
On Rotten Tomatoes, the film has an aggregated score of 92% based on 22 positive and 2 negative critic reviews.[8]
Adrian Melo of Página|12 considered that the film "misses the homoerotic provocation and sexual ambiguity of the original version" offering instead "a fable with too many morals and a whiff of social darwinism".[9]
Beatriz Martínez of El Periódico de Catalunya rated the film 3 out of 5 stars, writing that Campanella directs "a twisted, bizarre and macabre story where he reflects human miseries".[10]
Andrea G. Bermejo of Cinemanía also gave the film 3 out of 5 stars, underscoring it to be "a black comedy that shines much more in the script than in the direction", also considering that even if predictable, the ending is "no less enjoyable".[11]
Jonathan Holland of The Hollywood Reporter presented the film as a "slickly calibrated, classically structured dark comedy" summing up as a bottom-line "old-fashioned fare with an up-to-date edge".[12]
Accolades
| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| 2020 | 7th Platino Awards | Best Director | Juan José Campanella | Nominated | [13][14] |
| Best Actress | Graciela Borges | Nominated | |||
| Best Original Score | Emilio Kauderer | Nominated | |||
| Best Sound | José Luis Díaz | Nominated | |||
| 14th Sur Awards | Best Film | Nominated | [15][16] | ||
| Best Director | Juan José Campanella | Nominated | |||
| Best Actress | Graciela Borges | Won | |||
| Best Adapted Screenplay | Juan José Campanella, Darren Kloomok | Nominated | |||
| Best Art Direction | Nelson Luty | Nominated | |||
| Best Costume Design | Cecilia Monti | Nominated | |||
| Best Makeup | Osvaldo Esperón, Sylvie Imbert, Beatushka Wojtowicz | Nominated | |||
| Best Cinematography | Félix Chango Monti | Nominated | |||
| Best Sound | José Luis Diaz | Won | |||
| Best Editing | Juan José Campanella | Nominated | |||
| Best Original Score | Emilio Kauderer | Nominated | |||