Theatre Gargantua
From Wikipedia, the free encyclopedia
| Formation | 1992 |
|---|---|
| Type | Theatre group |
| Location |
|
Artistic director | Jacquie P.A. Thomas |
| Website | theatregargantua |
Theatre Gargantua is a Toronto-based theatre company founded by Artistic Director Jacquie P.A. Thomas in 1992.[1] The company emphasizes artist collaboration,[2] both within Canada and globally, combining a range of artistic disciplines to create new work. The defining experimental style of Theatre Gargantua's productions are a hybrid of Thomas' studies in Europe, which include creation as an artistic collective, an extended development phase, imagistic production elements, original composition often performed live and choreographed physicality of performers.[1] The topics of exploration in Gargantua's past shows have been grounded in social issues, creating compelling work that is presented through highly physical performances.
Core artistic members
The company consists of a permanent artistic and associate artistic director[3] along with core members and associate artists who work regularly with the company on a project basis. Production staff are hired on a project-by-project basis or as needed.[3]
The company works as a collective to generate each project through exploration and discovery of social issues relevant to our society.[4] Starting with an idea or social issue, artists are asked to research or create work using the idea as inspiration. From there, the idea begins to seed and grow into characters and plot.[5] Production elements are designed to invoke metaphoric meaning and experiment with various visual and physical components.
Technique and style
The Theatre Gargantua style of performance is as much physical as textual, with productions being built by the company from the ground up over a period of years. The technique is quite different than presenting a traditional script.[6] Theatre Gargantua's productions blend live music, acrobatics and imagery. Their performance style has been compared to Montreal's avant-garde.[7] The company's theatre works are diverse in terms of subject, writing and performance styles, but are connected in how each work melds daring physicality with striking designs, underpinned by original live music and the innovative use of technology.[8] The company's production of e-DENTITY, could be categorized as a form of mediatized theatre, and was described as "a world where live and mediatized bodies perform together."[9]
Main Cycle
Theatre Gargantua’s productions are developed over a two-year cycle consisting of the creation, development and performance of work.[3] New projects are developed over the annual spring and summer season of first year, with fully produced public performances of the work in development in the fall. In the second year of a cycle, the work is re-examined and explored throughout the spring and summer seasons sometimes resulting in a radically different production, which receives its premiere in the fall of the second year.[3] The remounting of shows from completed cycles may occur for tours or festivals.
Sidestream
Theatre Gargantua’s Sidestream Cycles are developed by core and associate artists,[10] designed with touring in mind. The first SideStream Cycle, Shrapnel, was created by core member Joel Benson in 2013. Recent Sidestream projects include Teiya Kasahara's The Queen In Me, Beryl Bain's The Flight, and Holly Treddenick's In The Fire.
Current season
Dissonant Species and Sidestream Festival
Dissonant Species premieres in November 2025 at Factory Theatre in Toronto. In the summer of 2025, Gargantua held their second Sidestream Festival in Chatham, Ontario, through which they featured work-in-development by artists including: Teiya Kasahara, Breton Lalama, Alexandra Lainfiesta, Marikje Reinink, Nabil Traboulsi, and Heather Marie Annis.[11]