Thenavattu

2008 Indian film From Wikipedia, the free encyclopedia

Thenavattu (transl.Courage) is a 2008 Indian Tamil-language action drama film written and directed by V. V. Kathir, starring Jiiva and Poonam Bajwa, with Ganja Karuppu, Ravi Kale, Shafi, Saikumar, and Rajan P. Dev in supporting roles. The music of the film was composed by Srikanth Deva. The film was released on 21 November 2008 and received highly negative reviews from critics. It was a commercial failure in metros but performed well at B and C-centers, or lower class theatres.

Directed byV. V. Kathir
Written byV. V. Kathir
Produced byAnthony
Quick facts Directed by, Written by ...
Thenavattu
Theatrical release poster
Directed byV. V. Kathir
Written byV. V. Kathir
Produced byAnthony
StarringJiiva
Poonam Bajwa
Ganja Karuppu
Ravi Kale
Shafi
Saikumar
Rajan P. Dev
CinematographyVetri
Edited byRaja Mohammad
Music bySrikanth Deva
Production
company
ELK Productions
Distributed bySun Pictures
Release date
  • 21 November 2008 (2008-11-21)
Running time
140 minutes
CountryIndia
LanguageTamil
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Plot

Kailasam, a somber bigwig, performs the last rites of someone dear to him, while Kottai appears swinging a scythe. In a flashback from a few months ago in Ramnad, Kottai's mother cuts down logs while boasting about her son; a god that deserves to see the world. Kottai then journeys to Chennai with Vellaiayan, a dimwit friend. The two end up at a massive house of Kailasam, a local terror.

Kottai and Vellaiayan think that Kailasam only uses their blacksmithing skills for instruments to chop trees, but Kottai discovers that he was hired by Kailasam to make sickles to kill people. Kottai then feeds crying children milk and helping men with epileptic seizures. Later, he falls in love with kind-hearted music teacher Gayathri.

Santhosh, Kailasam's son who regularly rapes women, is helplessly watched by a cop called Suryaprakash. Kottai continues making arrivals until he sees Santhosh touching Gayathri inappropriately. Kottai then beats Santhosh to death, unbeknownst to him that he is Kailasam's son, when he learns about this, he attempts to get revenge on Kottai, but he and the minister is killed by him along with Suryaprakash. Kottai later returns back to his home.

Cast

Production

V. V. Kathir, a former assistant director of Seeman and Surya Prakash, narrated the script to R. B. Choudary, who liked it.[1] The lead role was offered to actor Jiiva who agreed to do the film. A photo session was completed in Pallavaram Hills.[2] Jiiva's older brother, Jithan Ramesh, had earlier starred in producer Anthony's Puli Varudhu (2007).

Bhavana was originally slated to play the female lead but she left the film for unknown reasons.[3] Poonam Bajwa (who was also shooting for Seval (2008) simultaneously) was then signed, thus making her debut in Tamil cinema. Saranya Ponvannan was then cast to play the mother of Jiiva's character.[4]

Art director Roobesh created a huge set at YMCA resembling Koothaandavar Temple.[5] Thenavattu was the first Tamil film which displayed respect and dignity towards the transgender section of the society.[6] The song "Usilampatti Sandhaiyile" was shot at Madurai and Theni.[7]

Soundtrack

The soundtrack was composed by Srikanth Deva in his second collaboration with Jiiva after E (2006).[8]

More information Song, Singers ...
SongSingersLyrics
"Enakkena Pirandhavalo"Karthik, Suchitra, ArunNa. Muthukumar
"Enge Irundhai"Harish Raghavendra
"Onnu Rendu"Tippu, Ganga
"Pattampoochi"Krish, Chinmayi
"Usilampatti Sandhaiyila"Shankar Mahadevan, Mahalakshmi Iyer, Senthildass Velayutham
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Reception

Thenavattu released to critical failure. Rediff called it "silly and ridiculous" and also added "the culprit here clearly is V. V. Kathir's half-baked script that manages to destroy Jiiva's credibility. This flick is all aruvaal and no brains".[9] Magimairajan of Kalki praised the acting of Jiiva and also praised the director for portraying transgenders in dignified manner but panned Srikanth Deva's music, Anal Arasu's stunt choreography and Ganja Karuppu's humour and felt the director who concentrated on racy dialogues should have done the same for screenplay.[10] Cinesouth wrote "Director Kadir has courageously used a far fetched story line and made a film out of it".[11]

References

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