Thomas Shotter Boys
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Thomas Shotter Boys (1803–1874) was an English watercolour painter and lithographer, mostly producing cityscapes and images of buildings, although he produced some rural landscapes and marine subjects.
Boys was born at Pentonville, London, on 2 January 1803. He was articled to the engraver George Cooke.[1] When his apprenticeship came to an end he went to Paris where he met and came under the influence of Richard Parkes Bonington, who persuaded him to abandon engraving for painting. Some sources describe him as a pupil of Bonington, although William Callow, who later shared a studio with him in Paris, disputed this.[2]
He exhibited at the Royal Academy for the first time in 1824, and in Paris in 1827. In 1830 he went to Brussels, but returned to England on the outbreak of the revolution there. Paying another visit to Paris, he remained there until 1837, and then returned to England in order to lithograph the works of David Roberts and Clarkson Stanfield.[1]
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His most important work, Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc., a collection of colour lithographs,[3] appeared in 1839, attracting a great deal of admiration.[1] Drawn on the stone by Boys and printed by Charles Joseph Hullmandel, it was described in a review in the Polytechnic Journal as "the first successful effort in chroma-lithography [sic] hitherto brought to perfection."[3] King Louis-Philippe sent the artist a ring in recognition of its merits. He also published Original Views of London as it is, drawn and lithographed by himself, (London, 1843). He drew the illustrations to Blackie's History of England, and etched some plates for John Ruskin's Stones of Venice.[1]
Boys was a member of the Institute of Painters in Water Colours, and of several foreign artistic societies. He died in 1874.[1]
References
- 1 2 3 4 5 Fagan, Louis Alexander (1886). "Boys, Thomas Shotter" . In Stephen, Leslie (ed.). Dictionary of National Biography. Vol. 06. London: Smith, Elder & Co.
- ↑ Bonington. Taylor & Francis. 1961. p. 32. Retrieved 17 December 2011.
- 1 2 "Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc". The Polytechnic Journal. 2: 81. 1840. Retrieved 17 December 2011.
External links
Hindoo Temples at Benares., a painting of Scindia Ghat engraved by J Thomas for Fisher's Drawing Room Scrap Book, 1833 with a poetical illustration by Letitia Elizabeth Landon.- The Assar Mahal., a painting engraved by G Hamilton for Fisher's Drawing Room Scrap Book, 1833 with a poetical illustration by Letitia Elizabeth Landon.
- Jahara Baug, Agra., a painting engraved by W J Cooke for Fisher's Drawing Room Scrap Book, 1835 with a poetical illustration by Letitia Elizabeth Landon.
- In Fisher's Drawing Room Scrap Book, 1834, as illustration to Letitia Elizabeth Landon's poem The Zenana - Conclusion.:
- Ruins, South Side of Old Delhi, engraved by G Hamilton.
