Thunderbird (mythology)

Legendary indigenous North American creature From Wikipedia, the free encyclopedia

The thunderbird is a mythological bird-like spirit in North American indigenous peoples' history and culture. It is considered a supernatural being of power and strength.[1]

Similar entitiesRain Bird, Pamola
RegionNorth America
Quick facts Creature information, Similar entities ...
Thunderbird
A Northwest Coast styled Kwakwaka'wakw totem pole depicting a thunderbird.
Creature information
Similar entitiesRain Bird, Pamola
FolkloreIndigenous peoples of the Americas
Origin
RegionNorth America
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 Pacific Northwest (Haida people) imagery of a double thunderbird
Pacific NW (Haida) imagery of a double thunderbird

It is frequently depicted in the art, songs, and oral histories of many Pacific Northwest Coast cultures,[2] but is also found in various forms among some peoples of the American Southwest,[3] US East Coast,[4] Great Lakes,[1] and Great Plains.[1]

Description

The thunderbird is said to create thunder by flapping its wings (Algonquian[5]), and lightning by flashing its eyes (Algonquian, Iroquois[6]). Across cultures, thunderbirds are generally depicted as birds of prey, or hybrids of humans and birds.[1] Thunderbirds are often viewed as protectors, sometimes intervening on people's behalf, but expecting veneration, prayers, and gifts.[1]

Archaeologically, sites containing depictions of thunderbirds have been found dating to the past 4000 years.[1]

Petroglyphs of thunderbirds are found near Twin Bluffs, Wisconsin. They are in a shelter that was probably used c. 250 BCE to 1500.[7]

By people

Stories about the struggle between the Thunderbird and Whale (q.v.) have been traditionally told by various Pacific coast tribal groups. Studies have scrutinized the possible connection with Cascadia subduction zone earthquake in the year 1700 that sent a tsunami to Japan.[8]

Algonquian

Mississaugas
Tribal signatures using thunderbirds on the Great Peace of Montreal

The thunderbird myth and motif is prevalent among Algonquian peoples in the Northeast, i.e., Eastern Canada (Ontario, Quebec, and eastward) and Northeastern United States, and the Iroquois peoples (surrounding the Great Lakes).[9] The discussion of the Northeast region has included Algonquian-speaking people in the Lakes-bordering U.S. Midwest states (e.g., Ojibwe in Minnesota[10]).

In Algonquian mythology, the thunderbird controls the upper world while the underworld is governed by the underwater panther or Great Horned Serpent. The thunderbird creates not just thunder (with its wing-flapping) but lightning bolts, which it casts at the underworld creatures.[5]

Thunderbird in this tradition may be depicted as a spreadeagled bird (wings horizontal head in profile), but also quite common with the head facing forward, thus presenting an X-shaped appearance overall[10] (see under §Iconography below).

Ojibwe

Ojibwe shoulder pouch depicting two thunderbirds in quillwork, Peabody Museum Harvard

The Ojibwe version of the myth states that the thunderbirds were created by Nanabozho to fight the underwater spirits. Thunderbirds also punished humans who broke moral rules. The thunderbirds lived in the four directions and arrived with the other birds in the springtime. In the fall, they migrated south after the end of the underwater spirits' most dangerous season.[11]

Menominee

In Menominee (Northern Wisconsin) folklore, thunderbirds live on a floating far-western mountain that floats. The thunderbirds control the rain and hail, and delight in fighting. They continually fight the great horned snakes (the Misikinubik) to keep them from overrunning the earth and devouring humankind. They are messengers of the Great Sun himself.[12]

Siouan

 Painting of a thunderbird on an animal hide, originally from the Great Lakes region
Painting of a thunderbird from the Great Lakes region, likely pre-1800

The thunderbird motif is also seen in Siouan-speaking peoples, which include tribes traditionally occupying areas around the Great Lakes.

Ho-Chunk

Ho-Chunk tradition states that a man who has a vision of a thunderbird during a solitary fast will become a war chief of the people.[13]

Arikara

Ethnographer George Amos Dorsey transcribed a tale from the Arikaras with the title The Boy who befriended the Thunderbirds and the Serpent: a boy named Antelope-Carrier finds a nest with four young thunderbirds; their mother comes and tells the human boy that a two-headed Serpent comes out of the lake to eat the young.[14]

Thunderbird nests

A wide variety of circular landscape features found in North America are known—at least in English—as "thunderbird nests", a term which has moved from Indigenous languages into archaeological terminology and popular usage.[15]

Stone rings

Some thunderbird nests are doughnut-shaped stone rings. In a key archaeological investigation of a thunderbird nest, Patrick H. Carmichael excavated a site on the shore of Lake Wanipigow, Manitoba, known to him as EgKx-15, around 0.5 kilometres east of the mouth of Beaver Creek,[16][17] labelling it a "Thunderbird Nest" "because this is the manner in which local Native inhabitants refer to such phenomena",[16]:282 and reporting that "an 80-year-old Native from the Hole River Reserve told me quite frankly that the Thunderbird built the nests, for 'what man has the power to lift those great stones?'".[16]:290 Carmichael concluded that "the exact function of the Wanipigow Thunderbird Nests remains enigmatic".[16]:294 They were associated in "popular theory" with vision quests, though Carmichael doubted that this would have been the original use for a structure constructed within a settlement site.[16]:290–294

The Thunderbird Nest investigated by Carmichael constituted a "large circular pile of boulders with a central depression or hollow".[16]:282 The ring had an outer diameter of around 6.5 metres and when excavated had a minimum height of one metre. It comprised hundreds of boulders, each estimated to weigh 20–50 kilogrammes. Excavation revealed no evidence of other structures or of fires on the site, and "the central hollow had no definable floor",[16]:282 though it was not excavated.[16]:287 The site was associated with pottery and stone projectile points suggesting occupation around 500 CE, and Carmichael thought that the nest had been constructed in a single campaign, though this did not prove dates of construction of the nest.[16]:287, 294

Carmichael was aware of two similar nests elsewhere on the lakeshore, along with a semi-circular one two hundred metres inland, along with examples as far north as Cross Lake, as far west as the Rural Municipality of Alonsa on the west bank of Lake Manitoba,[18][19] to the southeast on Manitoba's Black River and Caribou Lake as well as in Bissett, and east into Ontario.[16]:288–89, 294–95 In the 2020s, Mary E. Gage believed she had discovered an example in New Hampshire.[20] Carmichael thought that although the raw material for the formations he inspected might in some cases have been piles of glacially deposited boulders, their arrangement was "cultural" rather than "natural".[16]:290

Depressions

Other thunderbird nests are large pits (similar to the Puckasaw Pits of Ontario).[16]:294 Reporting on conversations with the Pikangikum First Nation elders Jake Keesic, Charlie Peters, Reggie Peters, Oliver Hill and Matthew Strang, Stevenson and Natcher described the thunderbird nests of Whitefeather Forest as "circular boulder field depressions" being 10–30 metres deep and 50–150 metres in diameter, which from Stevenson and Natcher's perspective originated as "geomorphic features of the last glacial period". The elders reported how destructive clear-cutting forestry had been to these sites.[21]:7–8[22]

Iconography

X-shapes

In Algonquian images, an X-shaped thunderbird is often used to depict the thunderbird with its wings alongside its body and the head facing forwards instead of in profile.[9]

The depiction may be stylized and simplified. A headless X-shaped thunderbird was found on an Ojibwe midewiwin disc dating to 1250–1400 CE.[23] In an 18th-century manuscript (a "daybook" ledger) written by the namesake grandson of Governor Matthew Mayhew, the thunderbird pictograms varies from "recognizable birds to simply an incised X".[24]

Scientific interpretations

Thunderbirds carved in sandstone wall at Twin Bluff, Juneau County, Wisconsin, by prehistoric artist(s)

American science historian and folklorist Adrienne Mayor and British historian Tom Holland have both suggested that indigenous thunderbird stories are based on discoveries of pterosaur fossils by Native Americans.[25][26]

Outside North America

Similar beings appear in mythologies the world over. Examples include the Chinese thunder-god Leigong, the Hindu Garuda and the African lightning bird.[27]

See also

References

Sources

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