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Tochter Zion, freue dich

German Advent song From Wikipedia, the free encyclopedia

"Tochter Zion, freue dich" (Daughter Zion, rejoice) is an Advent song in German. The text was written by Friedrich Heinrich Ranke, based on music derived from two of Handel's oratorios. The song was published in 1826, assigned to the Entry into Jerusalem. The hymn is part of the German Protestant hymnal Evangelisches Gesangbuch as EG 13 and the 2013 Catholic hymnal Gotteslob as GL 228, both four-part settings in the Advent section.

LanguageGerman
Based onMovement from Joshua
Quick facts Text, Language ...
"Tochter Zion, freue dich"
Christian hymn
In Liederkranz für Sonntags-Schulen und Jugend-Vereine, St. Louis, 1898
TextFriedrich Heinrich Ranke
LanguageGerman
Based onMovement from Joshua
MelodyGeorge Frideric Handel
Composed1747 (1747)
Published1826 (1826)
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The French hymn À toi la gloire O Ressuscité and its English translation Thine Be the Glory use the same tune.

History

Friedrich Heinrich Ranke wrote the text, based on music by George Frideric Handel, for a musical salon of Karl Georg von Raumer around 1820.[1] He knew the music as Seht, er kommt, mit Preis gekrönt , a chorus from Handel's oratorio Judas Maccabaeus.[1] Handel had first composed it in 1747 for the oratorio Joshua, and added it to Judas Maccabaeus in a 1751 revised version, as See, the Conquering Hero Comes.[1] In both works, the music reflects the triumphant entry of a victorious hero.[2]

The hymn was first published in Hamburg in 1826 in the collection Christliche, liebliche Lieder by Louise Reichardt, Raumer's sister-in-law, and assigned to the Entry into Jerusalem, which at the time had the same prescribed readings as the First Sunday in Advent.[3] It entered collections for schools and became popular.[1]

The hymn is part of the German Protestant hymnal Evangelisches Gesangbuch as EG 13 and the 2013 Catholic hymnal Gotteslob as GL 228, both four-part settings in the Advent section.[3]

Music

Handel's music is a chorus with short lines, sung in homophony.[2] It is written in march rhythm and harmonic simplicity. In Handel's works, the first of three stanzas is scored for three voices, two sopranos and an alto, accompanied by two horns and organ. A second stanza with different text is written for two sopranos, two flutes and organ. Finally, the third stanza, with the text of the first, is sung by four choral parts and a rich basso continuo in dramatic development. Ranke used only the four-part setting, which he modified slightly.[2]


header { tagline = ##f }

keyTime = { key f major 	ime 2/2 }

SopIn = { c''2 a'4. (bes'8) c''2 f'2                 %% Tochter Zion
        g'8 (a'8 bes'8 c''8 bes'4) a'4 g'1           %% freue dich
        c''8 (bes'8 c''8 d''8 c''4) c''4             %% Jauchze
        f''2 c''2 bes'4 (a'4 g'4) g'4 f'1^"Fine" }   %% laut, Jerusalem
SopOut = { a'8 (g'8 a'8 bes'8 a'4) a'4 g'2 f'2       %% Sieh, dein König
         bes'4 (a'4 g'4) f'4 e'1                     %% kommt zu dir
         f'8 (e'8 f'8 g'8 f'4) f'4 d''2 b'2          %% Ja, er kommt, der
         c''4 (d''8 c''8 b'4.) c''8^"D.C. al Fine"   %% Friede-
         c''1 }                                      %% fürst
SopMusic = { 
epeat volta 2 { SopIn }
             SopOut  bar "|." }

AltIn = { f'2 f'4. (e'8) f'2 f'2                     %% Tochter Zion
        e'8 (f'8 g'8 a'8 g'4) f'4 e'1                %% freue dich
        f'2. f'4                                     %% Jauchze
        f'2 f'2 e'4 (f'2) e'4 f'1 }                  %% laut, Jerusalem
AltOut = { f'8 (d'8 f'8 g'8 f'4) f'4 e'2 d'2         %% Sieh, dein König
         g'4 (f'4 e'4) d'4 cis'1                     %% kommt zu dir
         d'8 (cis'8 d'8 e'8 d'4) d'4 f'2 f'2         %% Ja, er kommt, der
         e'4 (f'8 e'8 d'4) f'4 e'1 }                 %% Friedefürst
AltoMusic = { 
epeat volta 2 { AltIn }
               AltOut }

TenIn = { a2 c'4. (bes8) a2 c'2                      %% Tochter Zion
        c'2. c'4 c'1                                 %% freue dich
        c'2. c'4                                     %% Jauchze
        c'2 a2 bes4 (c'2) bes4 a1 }                  %% laut, Jerusalem
TenOut = { c'2. c'4 bes2 a2                          %% Sieh, dein König
         cis'4 (d'4 bes4) a4 a1                      %% kommt zu dir
         a2. a4 b2 d'2                               %% Ja, er kommt, der
         c'4 (d'4 g4) g4 g1 }                        %% Friedefürst
TenorMusic = { 
epeat volta 2 { TenIn }
               TenOut }

BasIn = { f2 a4. (g8) f2 a2                          %% Tochter Zion
        c'4 (c4 e4) f4 c1                            %% freue dich
        a8 (g8 a8 bes8 a4) a4                        %% Jauchze
        a2 f2 g4 (a8 bes8 c'4) c4 f1 }               %% laut, Jerusalem
BasOut = { f2. f4 c2 d2                              %% Sieh, dein König
         e4 (f4 g4) d4 a1                            %% kommt zu dir
         d2. d4 g2 g2                                %% Ja, er kommt, der
         a4 (f4 g4) g,4 c1 }                         %% Friedefürst
          
BassMusic  = { 
epeat volta 2 { BasIn }
               BasOut }

VerseOne =  lyricmode {
  Toch -- ter Zi -- on, freu -- e dich
  Jauch -- ze laut, Je -- ru -- sa -- lem!
  Sieh', dein Kö -- nig kommt zu dir!
  Ja, er kommt, der Frie -- de -- fürst!
}

VerseTwo   = lyricmode {
  Ho -- si -- an -- na, Da -- vids Sohn!
  Sei ge -- seg -- net Dei -- nem Volk!
  Grün -- de nun dein e -- wig Reich!
  Ho -- si -- an -- na in der Höh'!
}
%{
VerseThree = lyricmode {
  Toch -- ter Zi -- on, freu -- e dich
  Hol ihn ju -- bel'nd zu dir ein!
  Sieh', er kommt de -- mü -- thig -- lich
  Rei -- tet auf dem E -- sel -- ein!
}
%}
VerseFour  = lyricmode {
  Ho -- si -- an -- na, Da -- vids Sohn!
  Sei ge -- grü -- ßet, Kö -- nig mild!
  E -- wig steht dein Frie -- dens -- thron!
  Du des ew' -- gen Va -- ters Kind!
}

score {
  
ew ChoirStaff <<
    
ew Staff <<
      clef treble
      
ew Voice = "Sop"  { voiceOne keyTime SopMusic }
      
ew Voice = "Alto" { voiceTwo AltoMusic }
      
ew Lyrics lyricsto "Sop" { VerseOne   }
      
ew Lyrics lyricsto "Sop" { VerseTwo   }
%     
ew Lyrics lyricsto "Sop" { VerseThree }
      
ew Lyrics lyricsto "Sop" { VerseFour  }
    >>
    
ew Staff <<
      clef bass
      
ew Voice = "Tenor" { voiceOne keyTime TenorMusic }
      
ew Voice = "Bass"  { voiceTwo BassMusic }
    >>
  >>
  layout { indent = 0 context { Score 
emove "Bar_number_engraver" } }
}
score {
  unfoldRepeats {
    << SopMusic  AltoMusic  TenorMusic  BassMusic >>
    << SopIn  AltIn  TenIn  BasIn >> }
  midi { 	empo 4 = 120 set Staff.midiInstrument = #"church organ" }
}
Handel's original version, with English text, has a slightly different melody.

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