Tone remote

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Remote controls are used any time a two-way radio base station is located away from the desk or office where communication originates. For example, a dispatch center for taxicabs may have an office downtown but have a base station on a distant mountain top. A Tone remote, also known as an EIA Tone remote, is a signaling system used to operate a two-way radio base station by some form of remote control.^[1]^[2]^[3]

A tone remote may be a stand-alone desktop device in a telephone housing with a speaker where the dial would have been located. It may look like a desk top base station. Or, it may be an integral part of a computer-based console system with touch-screens in a dispatch center.

The first two-way radio remote controls utilized a harness of wires extending speaker, microphone, and controls for options such as channel selection or CTCSS switches. This limited a base station to being within tens to hundreds of feet from the user's workstation. Early systems often had volume unit meters, clocks, and switchboard keys.^[4]

1960s two-way radio remote control consoles used direct current loops. Users would run ordinary telephone wiring from the remote consoles to the radio base station chassis.^[5] In some cases, the base station was located at the same address as the control console. In other cases, the base station was located at a distant site. For distant sites, a dry pair of telephone wires called a DC loop, private line- or RTO circuit (Radio Telephone Operation) was leased from the telephone company. Older burglar alarms used the same type of DC wiring from subscriber location to the alarm office.

As pair gain electronics and point-to-point microwave radio links came into widespread use throughout the public switched telephone network, telephone companies filed tariffs to eliminate their past responsibility of providing leased circuits with direct current continuity. If the base station were located across town in an area served by a different telephone exchange, the only available circuits reaching the distant exchange might be a single voice-grade channel in a D-4 channel bank on a DS-1 or a single microwave radio baseband channel. Tone remotes became necessary with the wide use of telephone carrier or multiplexing equipment. They require only a voice-grade audio path with roughly flat equalization from 300-3,000 Hz. A circuit that could pass audio in both directions could be used for remote control.

Tone format employed

Function tones

Three function tone sequences: 2175+1950 Hz, 2175+1850 Hz, and 2175+1750 Hz.

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Tone remotes send commands to a base station using function tones, a series of two tones in sequence. The first tone is 2,175 Hz and is 100-300 milliseconds in length.^[6] The most common second tone is 1,950 Hz. The most commonly used tone sequence in tone remote controls is the channel 1 transmit command. The default for this command consists of a high-level 2,175 Hz followed by a lower-level 1,950 Hz. A continuous, low-level 2,175 Hz tone follows. Voice is multiplexed over the tone. So long as the 2,175 Hz tone is present, the transmitter remains on. An audio notch filter removes the 2,175 Hz low-level tone from the actual transmit audio. General Electric Mobile Radio called the high-level tone, '"Secur-it tone", and called the low-level tone "hold tone." In the industry, the low-level continuous tone is often called, low-level guard tone. The low-level tone is present at the same time as transmitted voice.

Example of voice traffic between a base station and tone remote.

The sound of a tone remote if a speaker were bridged across the phone line.

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Receive

Some function tones are sent without the continuous low-level tone. These are commands that change a state of the base station. An example is turning off the receiver CTCSS decoder (the monitor function).

Receive commands use a function tone only. They may include things like:

Turn off CTCSS decode or monitor
Switch base station to channel 2
Set squelch threshold tight/loose
Repeater set-up/knock-down
Turn on second receiver in dual-receiver base station.

Transmit

Transmit commands use a function tone followed by low-level guard tone, which holds the transmitter on. They may include things like:

Transmit, channel 1
Transmit, channel 2
Transmit, channel 3
Transmit, channel 4
Transmit with CTCSS encode disabled (used to send paging tones)
Transmit site 1^[7]
Transmit site 2
Transmit site 3
Transmit site 4

Tones used for remote controls are described in ratios called decibels: for example, the second tone of a sequence might be 10% of the level of the first tone. The highest level tones are set to the maximum allowable for the DS-1 channel or telephone line. The figure at right shows the envelope of a function tone's two-tone sequence.

Maintenance

Levels and equalization

Level discipline, setting the tone output levels at the remote control, affects the reliability of a tone remote. Audio levels set too low may cause the transmitter to drop out when speech peaks occur. The combination of voice and signaling tones is supposed to lie in a balance. If everything is set ideally, a notch filter at the base station blocks the steady 2,175 Hz tone from going out on the air. Proper levels for tone remote systems are 0dbm for the high level tone, -10dbm for the function tone and -30dbm for the low level guard tone (Motorola's older manuals often confused technicians with some levels listed as high as +14dbm. Analog telephone circuits used by tone remote systems normally only allow 0dbm as a maximum) All levels are based on 600 ohm impedance termination at the radio itself and needed gain after a long circuit to bring the levels back up to the levels noted above.

Level discipline varies from one system to another. In order to get the transmitter to key reliably, sometimes the continuous tone that holds the transmitter on may have to be set so it is heard in the transmit audio. Sometimes equalization problems with a telephone circuit make it necessary to run higher levels than a circuit with a flat response from 300 to 3000 Hz would require. Normally a phone circuit ordered as a PLPA or conditioned type results in a 300 to 3400 Hz response which easily handles all tones used in a tone remote radio system. Normal LMR practices of running the levels hotter than normal is something to be avoided to prevent an audio problem later if equipment is changed out.

Audio level compression

Remote control consoles use audio level compression in transmit and receive audio paths.

In documentation for most any console, receive audio is described as having a 30 decibel (db) knee of compression: for a 30 db variation in input audio level, the speaker volume changes by 3 db.^[8] This is desirable because persons calling on the radio who are whispering or yelling would ideally be intelligible and be presented to the console user at roughly the same volume. It helps reduce the need to constantly adjust the volume control to accommodate different voices. It also helps the console user talk on the telephone without loud sounds coming from the remote control speaker. A professional dispatcher will often set the console volume at a setting similar to the telephone's perceived volume. This allows the dispatcher to shift her attention between the radio and the phone without continually adjusting volume controls during a conversation.

Transmit audio is compressed so that field units can hear the base station user over background environmental noise present in cars and in the street scape around walkie-talkie users.

Tone conflicts

In designing a system, it is important to pick selective calling tones that do not conflict with remote control tones in use.

Analog voting systems usually utilize either 2,175 Hz or 1,950 Hz as an indication a receiver is squelched or idle. In the case of 2,175 Hz, the steady tone leaking from a receiver phone line, or from the output of the voting comparator, may cause the transmitter to lock on. The most frequent cause of this is crosstalk in the telephone cables, frequently caused by a too-high audio level in the line (called "overdriving" the line).

Two wire versus four wire

Notes

↑ EIA is the abbreviation for Electronics Industry Association, an industry organization that worked to create a standard format for tone remote controls.
↑ Any two-way radio remote control console manual will explain the basic principles of the respective equipment. One example is the 1970s-era, Maintenance Manual: Deskon II Remote Control Unit for Standard and GE Mark V Trunked Mobile Radio Desk Top and Wall Mount, part number LBI30968B, (Lynchburg, Virginia: General Electric Mobile Radio, unknown year). This GE manual covers tone- and DC-remotes.
↑ To confirm the use of the phrase "tone remote" as accurate in describing this type of device, please see US Patent and Trademark Office patent ID 6950653, "Scanning tone remote adapter for land-mobile radio dispatch for use with dispersed dispatch stations." The article does not describe this tone remote but confirms the use of the phrase to describe this system of signaling.
↑ A picture of one example is shown in Crane, Bob, "Highway Patrol Radio Communications Development," California Association of Highway Patrolmen Golden Chronicle 1920-1970, (Sacramento, California: California Association of Highway Patrolmen, 1970,) pp. 71.
↑ One example describing DC-remotes is found in, "Section 8.4, Console Electronics" in Trunked Radio System Request For Proposals, (Oklahoma City, Oklahoma: Public Safety Capital Projects Office, Oklahoma City Municipal Facilities Authority, 2000) pp. 157. Unlike tone remotes, there are no default currents that map to specific functions. Service manuals for a specific type of equipment will reveal how many functions are available and what currents and polarities actuate a specific function. These may be modified from one system to another.
↑ 2,175 Hz tone lengths vary depending on the decoder's time constants and any delays present in the audio path. About 150 milliseconds is a good median value. Too long a tone causes an unnecessary delay from push-to-talk until the base station begins transmitting.
↑ Site selection can be referred to as transmitter steering. Using a channel select button, in some systems the dispatcher can select a transmitter that is likely to reach a field unit with the best signal. This is used most often in regional systems where one transmitter will not create an adequate signal over the entire desired coverage area. The dispatcher must know geography and radio signal behavior well enough to pick an appropriate site. In some systems, the calling mobile radio user will queue the dispatcher to respond using a specific transmitter site. For example, "Truck 20 to base on South Mountain."
↑ There are many examples all citing this figure. One of many would be Maintenance Manual: Deskon II Remote Control Unit for Standard and GE Mark V Trunked Mobile Radio Desk Top and Wall Mount, part number LBI30968B, (Lynchburg, Virginia: General Electric Mobile Radio, unknown year.)

v t e Two-way radio
Amateur and hobbyist	Amateur radio Amateur radio repeater Citizens band radio Family Radio Service Public Radio Service General Mobile Radio Service KDR 444 LPD433 Mobile rig Multi-Use Radio Service PMR446 UHF CB (Australia)
Aviation (aeronautical mobile)	Air traffic control Aircraft emergency frequency Airband Common traffic advisory frequency Mandatory frequency airport MULTICOM Single Frequency Approach UNICOM
Land-based commercial and government mobile	Base station Business band Mobile radio Professional mobile radio Radio repeater Specialized Mobile Radio Trunked radio system Walkie-talkie
Marine (shipboard)	2182 kHz 500 kHz Coast radio station Marine VHF radio Maritime mobile amateur radio
Signaling / Selective calling	CTCSS D-STAR Dual-tone multi-frequency MDC-1200 Push-to-talk Quik-Call I Quik-Call II Selcall SELCAL
System elements and principles	Antenna APRS Automatic vehicle location Call sign CAD DC remote Dispatch Dynamic range compression Fade margin Link budget Rayleigh fading Tone remote Radiotelephony procedure Voting (diversity combining)

Receive

Transmit

Levels and equalization

Audio level compression

Tone conflicts

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