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Topaz Winters

Singaporean writer From Wikipedia, the free encyclopedia

Topaz Winters (born 1999) is the pen name of Singaporean writer Priyanka Balasubramanian Aiyer.[1] She is the author of the poetry collections Portrait of My Body as a Crime I'm Still Committing and So, Stranger.[2][3]

Born1999 (age 26–27)
United States
OccupationPoet
Quick facts Born, Education ...
Topaz Winters
Born1999 (age 26–27)
United States
EducationPrinceton University
OccupationPoet
Websitetopazwinters.com
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Early life and education

Winters was born in the United States and raised in Singapore.[1] She attended Princeton University, where she studied English and creative writing.[2]

Career

Winters's chapbook poems for the sound of the sky before thunder was published by Math Paper Press in 2017.[4] Her collection Portrait of My Body as a Crime I'm Still Committing was first published in 2019 and reissued by Button Poetry in 2024.[5][6] Her collection So, Stranger was published by Button Poetry in 2022.[6]

While studying at Princeton, Winters received the university's 2022 Academy of American Poets University & College Prize for the poem "It's Not That I'm Angry".[7]

Winters is founder and editor-in-chief of Half Mystic Press.[8] In 2023, she co-founded the online literary magazine Kopi Break.[9] Her poems have appeared in Poetry Northwest, The Drift, and Passages North.[10][11][12]

Her scholarly article "Queering Poetics: The Impact of Poetry on LGBT+ Identity in Singaporean Adolescents" was published in the Journal of Homosexuality.[13]

Selected works

Poetry collections

  • Portrait of My Body as a Crime I'm Still Committing. Button Poetry, 2019; reissued 2024. ISBN 9781733881609.[14][15]
  • So, Stranger. Button Poetry, 2022. ISBN 9781638340249.[3][16]

Chapbooks

  • Heaven or This. 2016.
  • poems for the sound of the sky before thunder. Math Paper Press, 2017.[17]

Scholarly articles

  • "Queering Poetics: The Impact of Poetry on LGBT+ Identity in Singaporean Adolescents". Journal of Homosexuality, 67(2), 206–222. 2020. doi:10.1080/00918369.2018.1536415.[18]

References

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