Tribute (Keith Jarrett album)
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| Tribute | ||||
|---|---|---|---|---|
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| Live album by the Keith Jarrett Trio | ||||
| Released | October 1990[1] | |||
| Recorded | October 15, 1989 | |||
| Venue | Kölner Philharmonie Köln, West Germany | |||
| Genre | Jazz | |||
| Length | 1:55:05 | |||
| Label | ECM ECM 1420/21 | |||
| Producer | Manfred Eicher | |||
| Keith Jarrett chronology | ||||
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| Jarrett / Peacock / DeJohnette chronology | ||||
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Tribute is a live double album by the Keith Jarrett Trio recorded at the Kölner Philharmonie on October 15, 1989, and released on ECM a year later. The trio—Jarrett's "Standards Trio"—features rhythm section Gary Peacock and Jack DeJohnette.[1]
Tribute was recorded in concert during the "Standards trio" October 1989 European tour, in which the Keith Jarrett trio performed fourteen concerts:[2]
- October 1 – Palais des Beaux-Arts, Brussels (Belgium)
- October 3 – Berwaldhallen, Stockholm (Sweden)
- October 5 – Koncertsalen i Tivoli, Copenhagen (Denmark)
- October 7 – Konserthuset, Oslo (Norway) recorded and released as Standards in Norway [ECM 1542]
- October 9 – Royal Festival Hall, London (England)
- October 11 – Graf-Zeppelin-Haus, Friedrichshafen (Germany)
- October 15 – Kölner Philharmonie, Cologne (Germany)
- October 16 – Philharmonie Gasteig, Munich (Germany)
- October 18 – Musikhalle, Hamburg (Germany)
- October 19 – Kongreßalle Killesberg, Stuttgart (Germany)
- October 21 – Alte Oper, Frankfurt (Germany)
- October 23 – Palais de la Musique, Strasbourg (France)
- October 25 – Arsenal, Metz (France)
- October 28 – Théâtre des Champs-Elysées, Paris (France)
Reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| The Penguin Guide to Jazz |  [4] |
| Downbeat | [5] |
The AllMusic review by Richard S. Ginell awarded the album 4½ stars and states, "While the Standards Trio rarely takes anything for granted, transforming everything in its path, the results are not quite as inventive here as on other releases".[3]
Downbeat awarded the album 4.5 stars.[5] Reviewer John Ephland wrote that the album was "a stunning musical communion that finds Jarrett, Peacock, and Dejohnette swinging their little asses off one moment, playing it slow, delicate, and heartfelt the next".[5]
