Twilight in the Sierras

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Twilight in the Sierras
Theater poster with top billing given to
Rogers and his horse Trigger, 1950
Directed byWilliam Witney
Written bySloan Nibley
Produced byEdward J. White
StarringRoy Rogers
Trigger
Dale Evans
Estelita Rodriguez
Pat Brady
CinematographyJohn MacBurnie
Edited byTony Martinelli
Music byStanley Wilson
Production
company
Republic Pictures
Distributed byRepublic Pictures
Release date
  • March 22, 1950 (1950-03-22)[1][2]
Running time
67 minutes
CountryUnited States
LanguageEnglish

Twilight in the Sierras is a 1950 American Trucolor Western film directed by William Witney and starring Roy Rogers, Dale Evans, Estelita Rodriguez and Pat Brady.

Ricardo Chavez is a convicted counterfeiter who is released on parole after serving time in a California prison and works on a ranch as he begins his post-incarceration life. Ricardo is soon abducted by a gang of outlaws and blackmailed to engrave printing plates to produce counterfeit currency for Matt Brunner, the gang's leader. Brunner presents himself in public as the owner of a Morongo Valley hunting lodge. Although Ricardo now wants to pursue an honest life and forget his criminal past, Brunner threatens to harm or kill his sister Lola if he refuses to do the illegal work. Roy Rogers is Ricardo's parole officer, and with the help of female deputy sheriff Pat Callahan, Roy uncovers the counterfeiting operation while clearing himself of a false murder charge, saving Ricardo and Lola and defeating the gang.

Cast

Production

Twilight in the Sierras was filmed between mid-September and early October 1949.[3]

The film marks the sixth of nine appearances of actress Estelita Rodriguez in Roy Rogers' films.[4]

As in some of Rogers' earlier films and later on his weekly television show, Twilight in the Sierras is thematically and stylistically an anachronistic blend of Hollywood's portrayal of the West of the 1870s with contemporary America of the 1940s-1950s, including modern conveniences such as electric lights, telephones and radios, motor vehicles. In its 1950 review of the film, Variety noted this selective blending of the old with the new, describing the film's plot as "a curious mixture of modern gangsterism in wild west dress which the kids most likely won't mind or even notice".[5]

Reception

References and notes

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