There is a monument to her in Bishkek on the Chui Avenue.[1] Erected in 1978, the monument depicts Salieva in a flowing garment and wearing a headscarf, one hand held out to the side, the other holding a banner.[3] A stamp of the monument was issued in 2011.[10] There is some ambiguity about whether the monument was originally dedicated to Salieva, or meant to represent a more generic or symbolic revolutionary woman, but it is largely known today as a monument to or of Salieva.[11]
The statue serves today as a starting point or endpoint for many feminist marches.[12][13] Many of these marches are specifically against violence against women, which protestors have often faced while marching, most recently in 2020, when protestors, not the protestors’ attackers, were arrested and fined.[14][13][4] Many protests are on March 8, International Women's Day, which is often celebrated in Kyrgyzstan by men giving women flowers or gifts.[15] The monument also serves as a meeting point for educational activities and community events.[16]
In 1980, a museum dedicated to Salieva opened in her hometown of Murkut, in the Osh oblast.[11]
In 1971 or 1972, the film Bow to the Fire (Poklonis Oglyu, Поклонись огню; sometimes translated as The Worship of Fire; sometimes also titled Urkuya) was made about her life, starring Tattybübü Tursunbayeva as Salieva.[1][17][18] The film was directed by Tolomush Okeyev.[19] It was released in the Soviet Union in 1972, Poland in 1973, and on Hungarian television in 1979.[18]
She has been praised as a role model for Kyrgyz girls and women, with Former President of the Kyrgyz Republic Roza Otunbayeva praising her decisive leadership in a time of social change.[3] Her name is often invoked in speeches about women's rights or on International Women's Day.[20] Salieva was included in a 2020 photography exhibition drawn from Kulbubu Bekturganova's book Kyrgyz Woman: History and Modernity.[21]