In New York, Naranjo made many opportunities to establish herself as a working musician. While researching West African percussion keyboard music, she played her 6-foot marimba in the subway system (which resulted in at least two bookings in off-Broadway shows.)[6]
She also freelanced and built connections in a wide and active group of musicians in the city that led to work with such artists as David Byrne, the Paul Winter Consort, Tori Amos, Airto Moreira, to such as touring Europe with The Philip Glass Ensemble between 1988 and 1993.[7] Other performance experience from the first half of the 1990s included work with The Native American Women’s group Pura Fe and Richard Barone.[8]
From 1988 until 2019 Valerie spent 30 summers studying and performing in Ghana.[2] In 1988 her playing of the gyil's traditional repertoire in Ghana's Kobine Festival of Traditional Music led to the declaration of a chiefly decree in the Dagara nation (of Ghana) that women be allowed to play the instrument for the first time, and to become a first-place prize winner in Ghana's Kobine Festival of Traditional Music in 1996.[4]
From 1989 until 2007 she apprenticed with Kakraba Lobi, the Ghanaian gyil master who was a founding member of the Ghana Dance Ensemble. Together they toured the U.S. five times, produced four CDs, and published 15 of his gyil compositions transcribed for Western marimba. [2]
During her annual journeys to Ghana Naranjo also apprenticed with Ghanaian master percussionists, Godwin Agbeli, Ben Armand, and Kofi Misiso, and studied dance with Sulley Imoro and other members of Ghana's National Dance Company. During the 1990s and 2000's she also researched and studied in Botswana, Burkina Faso, Cote D'Ivoire, Egypt, Madagascar, Morocco, and Zambia.[9]
After working on the productions The Tempest, The Green Bird, and Juan Darién, with director Julie Taymor, Naranjo was asked to be a part of The Lion King in 1996. She was an important part of the creation of the show's sound: selecting instruments to be included in the show's orchestra, auditioning musicians, and writing percussion arrangements. Naranjo performed with The Lion King for over 24 years. It is the highest grossing Broadway musical of all time.[10]
Around that same time, in 1995, an old friend and musical collaborator Lenny Pickett asked Naranjo to join the Saturday Night Live Band. Pickett looked to her to bring lively percussive and fresh sounds to the show during a time the show was struggling to maintain its audiences.[2]
She works alongside Shawn Pelton, the drummer, in the band.[11] Her instrument set-up consists of two mallet instruments, chime trees, woodblocks, cymbals, three congas, bongos, djembe, kpanlogo drum, timbales, and a variety of percussion instruments from around the world.[12]
Since 2011, Naranjo has taught in the New York University Steinhardt School's percussion department. She directs the African Gyil and Percussion Ensembles, and coaches West African dance, drumming, and voice. She is also a member of NYU's "Global Institute of Advanced Studies" a think tank which travels with the goal to help NYU professors to have an improved international understanding. [2]
Naranjo has performed in such situations and locations as the 2010 Winter Olympics in Vancouver, The White House (2013 Gershwin Awards-Carole King), Lincoln Center (1994, 1996, 2008) New York City Center (1994), Carnegie Hall (1990, 2009), London's Royal Festival Hall, and The Kennedy Center; and in festivals such as The Bath Festival, Young Indians (New Delhi), FESTIBO (Ivory Coast), Fidanze and Cuba Disco (Cuba), The Grahamstown, and Arts Alive Festivals (South Africa)[13] "Semana de Percusiones" (Peru), Festival De La Marimba 1 and 10 (2000 and 2010) Chiapas, Mexico, and has performed with the Ghana National Symphony in 2018 and 2019 [1] [Song of Legaa liner notes] [14]