Vauxhall, Brussels

The history of Brussels' Vauxhall is closely linked to that of the Royal Park Theatre. It was established in 1781 by the brothers Alexandre and Herman Bultos, co-directors of La Monnaie and of the Park Theatre. Built in the north-eastern section of Brussels Park and attributed to the architect Louis Montoyer, the complex originally consisted of the rotunda-shaped Park Theatre, a rectangular café-restaurant-dance hall connected by a gallery, as well as several pavilions intended for luxury retail. In operation from 1784, this centre of Brussels' high society hosted, among others, the Austrian governors and their princely guests, the First Consul Napoleon and his wife Joséphine in 1803, and later, many prominent French exiles of the Bourbon Restoration.^[1]

Following the bankruptcy of the Bultos brothers, the Vauxhall was taken over in 1818 by the City of Brussels, which divided the complex into multiple leases. The retail pavilions disappeared, while the theatre and café were enlarged, renovated and repurposed. The name Vauxhall then came to refer only to the space left free of buildings within the original enclosure, where the Grande Harmonie—and later the Société des Concerts du Waux Hall, from 1853 onwards—organised public concerts.^[1] The large building behind the theatre has been used, since 1871, by the Cercle Gaulois arts and literature club, and its predecessors, as a venue for meetings, dinners, exhibitions and concerts.^[2][1] The bandstand erected to house the orchestra was rebuilt in 1892 in the neo-Moorish style.^[1]

The City of Brussels, which was seeking to relaunch the breathless entertainment venue, decided to completely redevelop the Vauxhall site in 1913. A U-shaped gallery and an orchestra pavilion topped with a dome à l'impériale were erected on that occasion to designs by the architect François Malfait [fr]. To fulfill the city's wish, Malfait borrowed from garden architecture—particularly that of Versailles (1751)—the trellis technique, which he used to decorate the pavilion in a Louis XVI style tinged with eclecticism and to construct the gallery that skilfully connects it to the Cercle Gaulois building, while camouflaging its south and west façades. Seized by the occupying German forces during World War I, the Vauxhall reopened to the public in 1921, but soon fell into disuse. A final concert was held there in 1933.^[1]

In 1987, the City of Brussels leased the small, dilapidated building to a private individual, Baron Éric d'Huart, who undertook extensive renovations to make it his home and simultaneously a venue for cultural events, a kind of Gesamtkunstwerk ("total work of art").^[3][1] The building was classified as a protected monument on 19 May 1994.^[1] In 2011, d'Huart left the premises due to the noise caused by the increasing number of festivities in the park.^[4][5][6] After leasing the site to a new tenant who subsequently went bankrupt, the city carried out renewed work from 2012 to 2016,^[7][8][9] then sought an operator through a public tender in 2017.^[10] Since then, the venue has once again been used for cultural activities.^{[citation needed]}

• Guido J. Bral, De Waux Hall in Brussel, in: Monumenten en Landschappen (in Dutch), 1986, no. 3, p. 35–53
• Henri Chevalier, Le Vauxhall de Bruxelles, in: Cahiers bruxellois (in French), 1956, no. I-3, p. 195–206

• History of the Cercle gaulois and the Vauxhall (in French)