Vergißmeinnicht, WAB 93
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Vergißmeinnicht (Forget-me-not), WAB 93, is a cantata composed by Anton Bruckner in 1845.
History
When he stayed in Kronstorf, Bruckner composed in 1845 the first version of this cantata as Musikalischer Versuch nach dem Kammer-Styl (Musical essay in chamber style), which he signed as Candidatus (candidate) for his Lehrbefähigungsprüfung (teacher aggregation).[1][2] Bruckner's examination, which was held in Linz on 27 and 28 May 1845, was successful.[3]
A slightly modified,[4][2] second version was dedicated to Alois Knauer, the parish priest of Kronstorf.[1] The performance occurred on 21 June 1845 (Knauer's name day) or the evening before.[3]
The third version, entitled Vergißmeinnicht (Forget-me-not), was sent to Friedrich Mayer, who was at that time prebendary and choirmaster of the St. Florian Abbey,[1] to remind him of the promise to provide Bruckner with an employment in the Abbey after his successful teacher examination. It is not known when it was performed.[3][5]
The manuscripts of the first and second versions are stored at the Österreichische Nationalbibliothek. The manuscript of the third version is stored in the archive of the St. Florian Abbey. A facsimile of the third version was first issued in band I, pp. 286–300 of the Göllerich/Auer biography.[3]
The three versions of the cantata are put in Band XXII/1 No. 1 of the Gesamtausgabe.[6]
Text

The work is based on the eleven-strophe poem Die Mutter und ihr Kind (The mother and her child) by W. Dobelbaur.
Es blühten wunderschön auf der Aue, |
Wonderfully blossoming on the meadow |
Setting
The cantata in D major is scored for SSAATTBB choir, SATB soloists and piano.[3] The 149-bar long work is in seven movements:[3][2]
- Eingangschor: Es blühten wunderschön auf der Aue - four-part mixed choir
- Recitative: Der Knabe saß hold auf der Mutter Schooß - soprano and alto
- Arie: Sie küsste den Knaben herzlich - soprano and alto
- Duet: Die Mutter erfreute das freudige Schweben - soprano and alto, Allegro
- Quartet: Verborgen unter blumiger Hülle - soprano, alto, tenor and bass
- Duet: Die ringelt' und raschelt' im Grase fort - tenor and bass, Moderato
- Schlußchor: Wie welkt ein Blümchen im Morgenroth - eight-part mixed choir a cappella, Andante
The third version is 7 bars shorter (142 bars), and the first duet: soprano and alto, is replaced by a duet: soprano and tenor.[3]