Vicente Albán

Painter of the Quito school From Wikipedia, the free encyclopedia

Vincente Albán (1725 in Quito, Ecuador - Unknown) was an Ecuadorian painter, member of the Quiteña School, noted for his idealized paintings of Indigenous (Yumbo people) and Latin American-born people in their native outfits.[1][2] These paintings display a variety of social classes and information on the clothing of the time.[3] Exploring Latin American identity, his work was commissioned by José Celestino Mutis, who wanted to bring local flora into the mind of the country.[1][4][5] The paintings were created via an oil on canvas technique.[4] Paintings of this era such as this were often used as a method of showing American territory and the resources it provides. People shown in Albáns work were shown wearing gold and silver to demonstrate the continents wealth.[6]

Born1725 (1725)
OccupationPainter
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Vicente Albán
Born1725 (1725)
OccupationPainter
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  • Principle Lady with her Black Slave (1783) - Franadillas tree, Loquat tree, Large Coconut Palm, Coquitos de Chile tree.
  • Principal Indian of Quito with gala dress (1783) - Machetonas and Berugillas tree, Guabas tree, Fagsos Fruit, Guayabas tree
  • Yapanga of Quito in a suit that uses this kind of women who try to please (1783) - Capulic tree, Custard apple trees, Caymitos, Strawberries
  • Yumbo Indian from the vicinity of Quito with their feather costumes and fangs of hunting animal that they wear when they are in gala (1783) - Banana tree, Lapaias tree, Pineapples, Strawberries
  • India in gala dress (1783) - Avacado tree, Chilguacanes tree, Chamburos tree, Namey Fruit
  • Yndio yumbo de Maynas with his load (1783) - Pitahayas tree, Obo tree, Mamei tree, Pumpkin
  • Portrait of Bisiop of Quito Manuel Blas Nephew (1783)[4]

Notable exhibits

  • 1780 - Possession of King Carlos III of Spain[6][7]
  • ? - Museum of Natural Sciences of Madrid[4]
  • ? - Ethnographic Section of the National Archaeological Museum[4]
  • 1941 - Museum of America of Madrid[4]
  • 2018 - National Museum of Ecuador (90 days then returned to the Museum of America of Madrid)[8]

References

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