Victor Ruprich-Robert

After studying with Simon-Claude Constant-Dufeux at the École des Beaux-Arts, he became Eugène Viollet-le-Duc's substitute for the History and Composition of Ornament course at the École Nationale et Spéciale de Dessin from 1843.^[4]

In 1840, he was appointed to the Commission des Monuments Historiques, after having surveyed the church of Saint-Nicolas in Caen.^[5] In 1844, he asked to be appointed inspector of works at Notre-Dame Cathedral in Paris. On December 20, 1848,^[6] he was appointed diocesan architect for Notre-Dame Cathedral in Bayeux, and for diocesan buildings in Coutances and Séez.^[4] From 1874, he oversaw restoration work on the Church of Saint-Étienne in Caen (Abbey aux Hommes), the Château de Falaise from 1864, the Church of Saint-Samson in Ouistreham and the Church of Hambye.^[4]

He has also been active in other regions, restoring the Château d'Amboise, the tower of the ancient Château d'Oudon, and the churches of Saint-Martin d'Argentan and Saint-Sauveur in Dinan.

His son and pupil Gabriel Ruprich-Robert (1859–1953) was also Chief Architect and Inspector General.^[5]

• Union List of Artist Names
• Critical dictionary of art historians active in France from the Revolution to the First World War
• La France savante
• Base AUTOR
• Directory of 19th-century diocesan architects
• Léonore base