Virginia P. Bacon

Edward R. Bacon (died December 2, 1915) willed his substantial collection of Old Master paintings and Chinese decorative arts to Mr. Bacon, who upon his death transferred the collection to Mrs. Bacon. Though Edward was the main collector of these items, it is clear both Walter and Virginia were interested in his purchases. In a letter to his brother, Edward writes, "I think you and Virginia will be gratified when you see them. I could not duplicate the collection now."^[10] Most of the paintings and objects remained in Bacon's possession until her death, however, she sold and donated several works in the years directly after Edward passed.^[6][11][12]

Five major paintings were sold to Henry Clay Frick in 1916 and are presently part of the Frick Collection. She sold him all four pieces to The Four Seasons by François Boucher, and Child with Flowers by Sir Thomas Lawrence.^{[11][12][13][14]} Bacon also sold two vases to J.D. Rockefeller for a total of $30,000.^[15] After the death of her husband Walter, Bacon donated two paintings from Edward's collection to the Metropolitan Museum of Art in memory of her husband and brother-in-law. She gave The Abbe by Anthony van Dyck in honor of Edward and the portrait of herself by Anders Zorn in honor of her husband. Though her portrait remains in the museum's collection, the Van Dyck is not listed in their collection database.^[8]

In 1918, Bacon began moving forward on a project to have catalogs of her brother-in-law's collection printed.^[16] Though she died before they were published, two volumes listing and detailing Edward's collection were finished and printed in limited quantity. The collection is separated, one volume focusing on the Old Master paintings, and the other on the Chinese art and decorative objects. James B. Townsend and W. Stanton Howard prepared the catalogs and John Getz wrote the object descriptions.^[17]

During his lifetime, few people were aware of how extensive Edward's collection was because he did not like to send his paintings out for exhibitions.^[16] After his death Virginia increased public knowledge of the collection through printing the catalogs and loaning selected works to exhibitions. Indeed, one traveling exhibition of the collection, which was exhibited around New York in 1921 in cities like Buffalo and Rochester, was described as "decidedly the most interesting exhibition of the year" by an American Art News reporter.^[18] The selection contained works by Raeburn, Romney, Turner, Fragonard, and Watteau.^[18]

Virginia P. Bacon's most enduring legacy is that of the estate she left upon her death, and the many bequests she detailed in her will. A New York Times article titled "$1,840,454 Left by Vanderbilt Heiress" specified that she left $869,955 worth of art, and had a personal estate of $987,076.^[15] Her jewelry alone was valued at $39,378. She left varying sums and personal items to family members and friends, but the largest bequest ($347,477) went to her nephew Harold Oakley Barker.^[15]

With two of her public bequests Bacon founded important academic scholarships. She willed $50,000 to Harvard University to begin a scholarship for painting in honor of Edward Bacon.^[19] The Edward R. Bacon painting scholarship was intended to allow students to travel to Europe to study.^[20] Similarly, the scholarship she funded in the name of her late husband, Walter Bacon, was specified as a traveling scholarship.^[21] Bacon willed $50,000 to the Smithsonian Institution to create the Walter Rathbone Bacon traveling scholarship for the study of fauna in countries other than the United States. This scholarship received heavy praise from employees of the Smithsonian Institution. The National Museum (as the Smithsonian was called at the time) Annual Report included that the scholarship was "hailed as a first step in the right direction" in the effort to correct the imbalance of information on fauna of the world.^[22] Bacon left $50,000 and a painting of Clarence Barker to All Souls Church in Biltmore, North Carolina and $25,000 to Columbia University.^[15] In addition she willed a portrait of herself to the Museum of Fine Arts in Bordeaux, France.^[23]

On December 12, 1919 there was a sale in London that included paintings from Bacon's estate. The sale was conducted by Christie, Manson & Woods, and included 40 paintings from Edward's collection.^[24] Thirty-one years later on March 2, 1950, the estate of Virginia P. Bacon was again auctioned, this time in New York. Four paintings from her estate were noted in the auction catalog. Her name is one of the few advertised on the inside cover of the catalog.^[25]