Vivian Ayers Allen

Born in 1923^[3] in Chester, South Carolina,^[4] she was African-American and had indigenous heritage. Her grandfather was Cherokee.^[5]

She was educated at the historic Brainerd Institute in Chester, where her parents and her grandparents had also been educated,^[6] growing up in a house across the street from the school.^[7] Her sister Sarah Mildred Ayers Smith was valedictorian of the class of 1937,^[7] whilst Allen graduated in 1939 as a member of the final graduating class from the institution.^[8] Whilst at school there, she studied Latin and French^[9] and learned to play concert piano.^[10]

She then studied at Barber-Scotia College and Bennett College.^[11] She received Honorary Doctorate degrees from Wilberforce University, in 1995,^[12][13] and her alma mater Bennett College, in 2006.^[12][14]

She married dentist Andrew Arthur Allen Sr. in New York City^[15] and they had four children: jazz trumpeter Andrew Arthur "Tex" Allen Jr.;^[16] actress and dancer Debbie Allen;^[17] regional president of TD Bank Hugh Allen;^[9] and actress Phylicia Rashad.^[18][19] The couple divorced in 1954 after nine years of marriage,^[20] Vivian declaring in her divorce suit that they were "manifestly incompatible".^[21] She was known as "Ma Turk" by her family, and her daughter Debbie named her own daughter Vivian Nixon after Allen.^[22]

Allen attended high-profile Hollywood events with her daughters, including the unveiling of Debbie's star on the Hollywood Walk of Fame in 1991 and the 65th Academy Awards in 1993.^[23]

Allen's poetry was usually written in the form of prose paragraphs with frequent use of dashes and ellipses.^[15]

Her book-length poem Hawk (1957)^[1] was an allegory of freedom, personal struggle and responsibility set in space during 2052.^[15][11] The poem foreshadowed the first successes in space travel,^[24] published just 11 weeks before the launch of Sputnik I (the first artificial satellite sent from Earth into orbit).^[25] It earned praise from the National Aeronautics and Space Administration (NASA),^[24] who described Allen as "a distinguished woman of Apollo, whose remarkable contributions significantly advanced our understanding of space exploration."^[26] Enlarged reproductions of select lines were exhibited at the Lyndon B. Johnson Space Center in Houston, Texas.^[11] The poem was formally republished by Clemson University Press in 2023,^[1] based on an exemplar of the original self-published version held in the University of Wisconsin–Madison Special Collections.^[27]

In 1964, her poetry was included in Langston Hughes’ collection New Negro Poets, USA.^[28][29] In 1971, she began publishing a literary magazine, The Adept Quarterly.^[15]

Allen was also a playwright. She wrote "Bow Boly," about an angel who comes to earth for a mission that becomes entangled with humans,^[15] and in 1973 she wrote "The Marriage Ceremony," which explored communal or "tribal" involvement in African-American marriage ceremonies.^[30]

Allen also had an academic career, becoming a librarian^[3] and the first African-American faculty member at Rice University in Houston, Texas, in 1966.^[31][12]

In 1973, she collaborated with the Harris County Community Association and a group of certified teachers to produce the program “Workshops in Open Fields,” which aimed to educate preschool children in the arts.^[11] She also mentored young Black artists, including the filmmaker Carroll Parrott Blue.^[32]

Allen lived in Texas for over forty years.^[2] She moved with her children to Mexico for a year to give them the opportunity to have new experiences away from the "racist" American South.^[10][18][33] Her children learned to speak Spanish and attended ballet performances by Mexican dancers.^[2] Her daughter Debbie danced with the Ballet Nacional de México.^[17][34]

In Mexico, Allen studied Greek literature, the Mayan culture,^[10] and Mesoamerican Math-Astronomy.^[12]

In 1984, Allen moved to New York, where she founded the ADEPT New American Museum of the Southwest in Mount Vernon.^[5][28][35] She organized community arts projects for the local Black community,^[36] supported underrepresented minority artists, and stressed the contributions of both African-Americans and Indigenous American peoples to the arts.^[5]

She became friends with Jimmie Durham^[37][38] and performed with him and Muhammad Ali in a production of Durham's work My Land.^[39]