Vol. II (Angine de Poitrine album)

Angine de Poitrine formed in Saguenay, Quebec, in 2019. The duo had known each other since they were teenagers.^[6] The band is anonymous, and in what they have described as an "Andy Kaufman-esque joke", they perform in oversized papier-mâché masks with giant noses and full-body black-and-white polka-dotted costumes.^[7][8]

In 2024 they released their first studio album, Vol. I.^[9] The band recorded a four-song set for the Seattle-based radio station KEXP in 2025, which achieved viral popularity and has amassed millions of views. They were named artist of the year by GAMIQ, and having hired an international booking agent, established a 2026 tour spanning concerts and festivals in North America and Europe.^[10]

Vol. II was released on 3 April 2026. It consists of six songs, three of which were part of the band's KEXP performance, including the single "Fabienk".^[3] Initially a digital-only release, it was later announced that both Vol. II and the band's first album Vol. 1 would receive a wider, international release on vinyl and CD in June 2026, with ATO Records handling the release in the United States.^[11]

According to the review aggregator Metacritic, Vol. II received "universal acclaim" based on a weighted average score of 84 out of 100 from eight critic scores.^[13] The review aggregator Any Decent Music gave the album a weighted average score of 8.4 out of 10 from nine critic scores.^[12]

Vol. II received an 8.0 score from Pitchfork, whose Christopher R. Weingarten remarked at the band's popularity despite being comparable to music that is not "remotely fashionable". He wrote that the math rock tendencies of the songs should be off-putting to those who are not fans of that genre, but that their best attribute is being able to "dance this mess around".^[3]

Exclaim! gave the album a perfect 10 score – the first perfect score given by the publication since 2023^[16] – and called it "magnetic and serpentine, yet surprisingly manageable". Reviewer Marko Djurdjić acknowledges the gimmickry of the band's style and quirks, but points out that gimmicks have long been a part of rock music, continuing: "Of course it's pretentious and performative, but it also lacks cynicism and hopelessness, and that's something we can all use a bit more of."^[14] Writing for The New York Times, Jon Pareles called the album's songs "tightly wound" and termed it "music of precision, agility and stamina, adding up to a contagious manic energy",^[2] while Casey Epstein-Gross wrote for Paste that "never before has technical mastery sounded so fun".^[15]

James Kilkenny, the reviewer for Clash, believed the album a significant improvement over Vol. I, and wrote that the album "proves that [the band is] far more than a whimsical gimmick". He praised the group's ability to oscillate between maximalist bombast and a "lustrous miniature orchestra", and termed the album "an addictive, clever, and primal magnum opus".^[1] Writing for Louder Than War, MK Bennett praised the album as being "almost supernaturally entertaining", and compared the band to both Frank Zappa and Marcel Duchamp.^[17]

• Khn de Poitrine – microtonal guitars, microtonal bass guitar, loop station, vocals
• Klek de Poitrine – drums, vocals
• Glegg De Poitrine – sound recording
• Tek De Poitrine – mixing, mastering
• Arielle Corbeau – cover artwork