Václav Vích
Czech cinematographer
From Wikipedia, the free encyclopedia
Václav Vích (18 January 1898 – 14 September 1966) was a Czech cinematographer, who worked on over a hundred films in different countries during his career. In the 1930s, Vích was one of the top technicians in the Italian film industry.[1] He often worked with the director Max Neufeld.[2]
Born18 January 1898
OccupationCinematographer
Yearsactive1923 – 1962
Václav Vích | |
|---|---|
Alessandro Blasetti and Vích on set | |
| Born | 18 January 1898 |
| Died | 14 September 1966 (aged 68) |
| Occupation | Cinematographer |
| Years active | 1923 – 1962 |
Selected filmography
- The Kidnapping of Fux the Banker (1923)
- A Double Life (1924)
- The May Fairy (1926)
- Erotikon (1929)
- Call of the Blood (1929)
- St. Wenceslas (1930)
- Když struny lkají (1930)
- The Affair of Colonel Redl (1931)
- The Case of Colonel Redl (1931)
- Muži v offsidu (1931)
- The Ruined Shopkeeper (1933)
- The Happiness of Grinzing (1933)
- Volga in Flames (1934)
- The Little Pet (1934)
- Grand Hotel Nevada (1935)
- Le Golem (1936)
- Shipwrecked Max (1936)
- Cavalry (1936)
- The Castiglioni Brothers, (1937)
- It Was I! (1937)
- Queen of the Scala (1937)
- The Black Corsair (1937)
- Ettore Fieramosca (1938)
- The Count of Brechard (1938)
- Tonight at Eleven (1938)
- The Castle Ball (1939)
- Backstage (1939)
- Unjustified Absence (1939)
- The Sinner (1940)
- First Love (1941)
- Lucky Night (1941)
- The Secret Lover (1941)
- Luisa Sanfelice (1942)
- Mist on the Sea (1944)
- No Turning Back (1945)
- Eugenia Grandet (1945)
- We Are Not Married (1946)
- Be Seeing You, Father (1948)
- The Legend of Faust (1949)
- The Lost One (1951)
- The Sinner (1951)
- Miracles Still Happen (1951)
- Nights on the Road (1952)
- Illusion in a Minor Key (1952)
- The Mad Bomberg (1957)
- Der schönste Tag meines Lebens (1957)
- Escape from Sahara (1958)
- Giuseppina (1960): filmed 1959
- Romance in Venice (1962)
