Wafi Salih

Magister in Latin American Literature, graduated from the “Universidad de los Andes”. She has a doctoral project in History and twenty books published in several genres. She was founder of “José Antonio Ramos Sucre” a literary workshop for seven consecutive years, which contributed to the training of Venezuelan artists and researchers.^[4]

Her thesis about female gender, is an innovative proposal about feminism. A profuse reflection that opens a question about the modes of cultural production and its effects on the social being. This research was published in Monte Ávila Editores in 2007 under the name: “The images of the absent”.^[5]

• Adagio (Adage) (1987) ^[6]
• Los cantos de la noche. (Songs of the night) (1990):^[7]
• Las horas del aire (The hours of the air) (1991)
• Pájaro de raíces (Bird of roots) (2002) Winner of the poetry contest “Every day a book”, 2004^[8][9]
• El Dios de las dunas (The God of the Dunes) (2005)
• Huésped del alba (Guest of dawn) (2006)
• Jugando con la poesía (Playing with poetry) (2006)
• Caligrafía del aire (Air Calligraphy) (2007) ^[10]
• Cielos descalzos (Barefoot Skies) (2009) ^[11]
• Vigilia de huesos (Vigil of bones) (2010)
• Con el índice de una lágrima (the index finger of a tear )
• Honor al fuego (Honor to the fire) (2018)
• Consonantes de agua (Water Consonants) (2018) ^[12]
• Sojam (Sojam) (2018) ^[13]
• Cielo avaro (Greedy heaven) (2018) ^[14]
• Serena en la plenitud (Serene in the fullness) (2020) Anthology.^[15]

• Las imágenes de la ausente. (The images of the absent) (2012) Essay.
• Más allá de lo que somos. (Beyond who we are) (2018) Essay.
• Hombre moreno viene en camino. (Black man is on his way): Theatrical monologues.
• Discípula de Jung. (Disciple of Jung) (2016): Story.^[16]