Waiting for Bojangles (film)
2021 French film
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Waiting for Bojangles (French: En attendant Bojangles) is a 2021 French-Belgian romantic drama film directed by Régis Roinsard, starring Romain Duris, Virginie Efira and Grégory Gadebois. It is an adaptation of Olivier Bourdeaut's novel of the same name.
Régis Roinsard
Jean-Pierre Guérin
| Waiting for Bojangles | |
|---|---|
 Theatrical release poster | |
| Directed by | Régis Roinsard |
| Written by | Romain Compingt Régis Roinsard |
| Based on | |
| Produced by | Olivier Delbosc Jean-Pierre Guérin |
| Starring | |
| Cinematography | Guillaume Schiffman |
| Edited by | Loïc Lallemand |
| Music by | Clare Manchon Olivier Manchon |
Production companies | Curiosa Films JPG Films |
| Distributed by | StudioCanal |
Release dates |
|
Running time | 124 minutes |
| Countries | France Belgium |
| Language | French |
| Budget | $13.4 million [1] |
| Box office | $4.5 million [2] |
Cast
- Romain Duris as Georges Fouquet
- Virginie Efira as Camille Fouquet
- Grégory Gadebois as Charles, dit l'Ordure
- Solàn Machado-Graner as Gary Fouquet
- Fabienne Chaudat as Marie-Françoise
- Éliza Maillot as Francine
- François Raffenaud as a cocktail party guest
- Aurélia Petit as a teacher
- Christian Ameri as a florist
- Jean-Pierre Durand as a fire chief
- Milo Machado-Graner as Alexandre
- Irène Ismaïloff
Reception
Bobby LePire of Film Threat gave the film a score of 10/10 and called it "mesmerizing from start to finish."[3]
Ray Gill of Willamette Week rated the film 4 stars out of 4 and called it an "uneasy thrill ride full of uncertainty, as any great love story should be."[4]
Calum Marsh of The New York Times wrote that the "vision of a life of immeasurable joy and passion — one lived solely for love, without limits or qualifications — is beautiful", and while the film is in "constant jeopardy of seeming maudlin or, worse, a little corny", it is an "admirable problem".[5]
Christy Lemire of RogerEbert.com rated the film 2 stars out of 4 and wrote that despite "charismatic" and "committed" performances from Duris and Efira, the film spends "much" of its "overlong" running time depicting mental illness as an "adorable personality quirk, a source of good-time party vibes, even a glamorous quality", and that once the "frothy French romance evolves into a more serious drama" it "turns turgid, causing a jarring tonal shift."[6]
Josh Kupecki of The Austin Chronicle rated the film 2 stars out of 5 wrote that the while the film "looks marvelous, with Roinsard artfully weaving through throngs of partygoers placed in vibrant, lived-in spaces and exotic locales", and Efira "continues her run of outstanding performances", she is "ultimately ill-served by a character and a film that’s removed any gravitas it seeks to instill by paradoxically not being removed enough."[7]