Wall of Noise

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Directed byRichard Wilson
Screenplay byJoseph Landon
Based onWall of Noise
1960 novel
by Daniel Michael Stein
Produced byJoseph Landon
Wall of Noise
Theatrical release poster
Directed byRichard Wilson
Screenplay byJoseph Landon
Based onWall of Noise
1960 novel
by Daniel Michael Stein
Produced byJoseph Landon
StarringSuzanne Pleshette
Ty Hardin
Dorothy Provine
Ralph Meeker
Simon Oakland
Jimmy Murphy
CinematographyLucien Ballard
Edited byWilliam H. Ziegler
Music byWilliam Lava
Production
company
Distributed byWarner Bros. Pictures
Release date
  • September 4, 1963 (1963-09-04)
Running time
112 minutes
CountryUnited States
LanguageEnglish

Wall of Noise is a 1963 American drama film directed by Richard Wilson, written by Joseph Landon, and starring Suzanne Pleshette, Ty Hardin, Dorothy Provine, Ralph Meeker, Simon Oakland and Jimmy Murphy. It was released by Warner Bros. Pictures on September 4, 1963.[1][2]

A horse trainer, Joel Tarrant, needs a job and is hired by Matt Rubio, a wealthy building contractor. Joel has a girlfriend, Ann, but is tempted by the advances of Rubio's seductive wife, Laura.

Laura knows there is a horse Joel feels can become a champion and persuades him to buy it. He borrows money from Johnny Papadakis to do so, but the horse is injured and Rubio fires him after recognizing the relationship between his wife and Joel, who is unable to repay Papadakis his debt.

Ann goes to great lengths to help him out of trouble, even offering herself to Papadakis as a form of payment. But after Papadakis dies unexpectedly, Joel and Ann return to their lives, looking after their recovering horse.

Cast

Production

The film was based on a novel published in 1960. Film rights were bought by Warner Bros.[3]

Filming started 3 December 1962. There was location filming at Hollywood Park Racetrack in Inglewood.

Reception

Variety called it "a professionally constructed but almost opressively sombre film."[4]

Filmink argued the movie "wasn’t bad, nor was Hardin’s performance, and there’s terrific racetrack flavour, but the movie (shot in black and white) felt like a 1950s programmer; it was out of time."[5]

See also

References

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