Walter Potter
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Walter Potter | |
|---|---|
 Portrait of Walter Potter c. 1910 | |
| Born | 2 July 1835 Bramber, Sussex, England |
| Died | 21 May 1918 (aged 82) |
| Occupation | Taxidermist |
| Known for | Assembled a popular collection of anthropomorphic dioramas. |
Walter Potter (2 July 1835 – 21 May 1918)[1][2] was an English taxidermist noted for his anthropomorphic dioramas featuring mounted animals mimicking human life, which he displayed at his museum in Bramber, Sussex, England. The exhibition was a well-known and popular example of "Victorian whimsy" for many years, even after Potter's death; however, enthusiasm for such entertainments waned in the twentieth century, and his collection was finally dispersed in 2003.
Walter Potter's family ran The White Lion pub in Bramber. Potter left school at the age of fourteen and began creating taxidermy pieces as a way to encourage people to visit the family's establishment.[3] His first attempt at taxidermy was to preserve the body of his own pet canary when he was a teenager.[4] At the age of 19, inspired by his sister, Jane, who showed him an illustrated book of nursery rhymes,[2] Potter produced what was to become the centrepiece of his museum, a diorama of "The Death and Burial of Cock Robin", which included 98 species of British birds.[4][5] This was so well-received that in 1861, he opened a separate display in the summer house of the pub.[4] While satisfying the Victorian demand for traditional stuffed animals to earn a living, Potter continued creating his dioramas and expanded into new premises in 1866, and again in 1880. As his museum expanded, Potter married a local girl, Ann Stringer Muzzell, and they had three children, Walter, Annie and Minnie.[6]
Amongst Potter's scenes were "a rats' den being raided by the local police rats ... [a] village school ... featuring 48 little rabbits busy writing on tiny slates, while the Kittens' Tea Party displayed feline etiquette and a game of croquet. A guinea pigs' cricket match was in progress, and 20 kittens attended a wedding, wearing little morning suits or brocade dresses, with a feline vicar in white surplice."[5] Potter's attention to detail in these scenes has been noted, to the extent that "The kittens even wear frilly knickers under their formal attire!"[7] Apart from the simulations of human situations, he had also added examples of bizarrely deformed animals, such as two-headed lambs and four-legged chickens.[4]
Potter's collection, billed as "Mr Potter's Museum of Curiosities" was to build into a "world-famous example of Victorian whimsy", with special coach trips from Brighton being arranged;[5] and the village and Potter's museum were so popular that an extension was built to the platform at Bramber railway station.[4]
Later life, death, and decline of the museum
Potter suffered a stroke in 1914, from which he never fully recovered, and died at the age of 82 four years later;[2] he was buried in Bramber churchyard.[6] His museum, which by that time contained about 10,000 specimens,[2] was taken over by his daughter Minnie and grandson.[4] The Victorian enthusiasm for stuffed animals had waned by the museum's later days, and it deflected claims of animal cruelty by displaying notices stating that all the animals had died naturally and that "in any case, they were all over 100 years old".[5] The "Kittens' Wedding" scene, the last created by Potter in 1890,[8] was shown at the Victoria and Albert Museum in 2001 as part of "The Victorian Vision" exhibition.[9]
The exhibits form the inspiration for the gothic thriller The Taxidermist's Daughter by Kate Mosse.[10]
