According to Der Spiegel, the design of the Wangjing SOHO has been pirated,[4] by the Meiquan 22nd Century building (美全22世纪) located in the Chinese city of Chongqing.[4][6][8] Satoshi Ohashi of Zaha Hadid Architects mentioned that the Chongqing project may have obtained details of the SOHO project in digital form.[4] The Meiquan complex was expected to finish ahead of the Wangjing SOHO project and this development put pressure on Hadid to speed-up her plans to finish her SOHO project ahead of the competing towers in Chongqing.[1][4] Ohashi mentioned that Zaha Hadid Architects had taken legal measures against Chongqing Meiquan Properties Ltd.[6]
Yet You Yunting, a lawyer practising in Shanghai, specialising in intellectual property cases, and founder of an online journal covering Chinese copyright laws, had found that great similarities existed between the two projects and that there was a good legal case for the Zaha Architects to file a copyright infringement lawsuit against the other company. He also mentioned that: "But even if the judge rules in favor of SOHO, the court will not force the defendant to pull the building down. But it could order the payment of compensation."[6]
On 14 May 2012 the companies which built the two projects, SOHO China and Chongqing Meiquan held a press conference during which the Chongqing Meiquan representative stated that the inspiration behind the design of the Meiquan 22nd Century project were "the cobblestones on the bank of the Yangtze River by which Chongqing was built". Pan Shiyi, the Wanjing SOHO representative, countered that the design of the Wanjing towers was meant to evoke the Koi fish and declared his intention of filing a lawsuit, saying that intellectual property had to be protected in China. During the press conference the Chinese Intellectual Property commission was present and issued a report at the end of the event.[6] The developer of the Chongqing Meiquan project later wrote in the company blog: "Never meant to copy, only want to surpass."[9][10]
Dutch architect Rem Koolhaas told Der Spiegel that the rapid growth of Chinese cities has led to the appearance of architects who "copy and paste" architectural elements from other designs and create new composite designs. Koolhaas calls these architects "Photoshop designers" and says: "Photoshop allows us to make collages of photographs -- (and) this is the essence of (China's) architectural and urban production…. Design today becomes as easy as Photoshop, even on the scale of a city." Zaha Hadid's reaction was more philosophical; she said that it would be "quite exciting" if the cloned designs came up in the future with "innovative design mutations".[4]