Warm and Cool
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| Warm and Cool | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1992, 2005 | |||
| Studio | Acoustilog, New York | |||
| Genre | Instrumental rock | |||
| Label | Rykodisc (1992),[1] Thrill Jockey (2005)[2] | |||
| Producer | Tom Verlaine | |||
| Tom Verlaine chronology | ||||
| ||||
Warm and Cool is a solo album by the American musician Tom Verlaine, released in 1992.[3][4] It was his first entirely instrumental recording.[5]
The album was produced by Verlaine.[6] It was engineered by Mario Salvati at Acoustilog, in New York City. Patrick Derivaz and Billy Ficca played bass and drums, respectively, on the majority of the tracks.[7] It was recorded over two nights, primarily because Verlaine wanted to play with Ficca.[8] "Harley Quinn" was recorded with Fred Smith and Jay Dee Daugherty.[9]
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [10] |
| Calgary Herald | A[11] |
| Robert Christgau |  [12] |
| Vancouver Sun | [13] |
Stereo Review wrote that the album "finds Verlaine exploring new avenues of expression on the guitar, applying a thinking postmodern rocker's minimalism, a jazzman's improvisational skill, and a vintage Fifties guitarist's predilection for reverb and twang."[14] The Vancouver Sun opined that it "never really takes off; there are a couple of nice moody bits."[13]
The Washington Post considered "much of it [to be] cool, spare neo-rockabilly with a Henry Mancini twist."[15] The Calgary Herald noted that the guitar can sound "like Ry Cooder meets Angelo Badalamenti in a garage just off New York`s Central Park."[11] The Houston Chronicle called Warm and Cool "maybe the first urban New Age album."[16]
