Way Up, Way Out
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| Author | Harold Strachan |
|---|---|
| Language | English |
| Genre | Autobiographical novel |
| Publisher | David Philip |
Publication date | 3 July 1998 |
| Publication place | South Africa |
| Media type | Print (hardback & paperback) |
| Pages | 176 |
| ISBN | 978-0-86486-355-3 |
| Followed by | Make a Skyf, Man! |
Way Up, Way Out is the first book by the South African anti-apartheid activist Harold Strachan. It was first published by David Philip in Cape Town in 1998.
The book, which is autobiographical fiction, describes the life of Jock Lundie[1] (Strachan's nickname and middle name). The protagonist is born in Pretoria. As a young boy he is close to a German widow called Marthe Guldenpfennig. When his adoptive father dies, he moves with his mother and attends school in Pietermaritzburg. He enjoys the nurturing atmosphere and the arts and crafts in primary school. He keeps in touch with Guldenpfennig until she moves back to Darmstadt on the eve of the Second World War. When he goes to boarding school, he is able to avoid bullying by creative use of his artistic talents. With his best friend "Cheese" Kreis, he goes climbing in the Drakensberg mountains. After graduation he joins the South African Air Force near the end of the war. He learns to fly and to do aerobatics in the Tiger Moth, then does advanced bomber pilot training in the Airspeed Oxford. A Royal Air Force trainer called O'Dowd tells him that he was involved in the bombing of Darmstadt, where a firestorm was created and the entire city wiped out. Several of his friends, including "Cheese", are killed in flying accidents.

Style
The book is loosely chronological but there are many diversions into South African history. It is written in South African English, with extensive use of Afrikaans phrases. The book is autobiographical fiction and was based on anecdotes he told.[2] He has described how he tries to use the techniques of painting, such as contrast of texture, in his writing,[2] and has expressed his admiration for the writing style of John Bunyan and Laurence Sterne, and the emotional authenticity of Thomas Hardy and Graham Greene.[3]
