Wayne Pashley
Australian supervising sound editor, sound designer and re-recording mixer
From Wikipedia, the free encyclopedia
Wayne Pashley is an Australian supervising sound editor, sound designer and re-recording mixer.[1] He was nominated for an Academy Award in the category Best Sound for the film Elvis. His nomination was shared with David Lee, Andy Nelson and Michael Keller.[2]
Born
Sydney, New South Wales, Australia
OccupationsSupervising sound editor, Re-recording mixer, sound designer
Yearsactive1987–present
Wayne Pashley | |
|---|---|
| |
| Born | Sydney, New South Wales, Australia |
| Occupations | Supervising sound editor, Re-recording mixer, sound designer |
| Years active | 1987–present |
Career
Wayne started his career in the early-1980s as a sound editor at the Australian Broadcasting Corporation.[3] He has worked on over 90 films and television series since 1987. He is a co-founder of Big Bang Sound Design.[4]
Selected filmography
- 2023 – Wolf Like Me
- 2022 – Elvis
- 2021 – Life in Colour
- 2019 – Little Monsters
- 2017 – The Lego Ninjago Movie
- 2017 – The Lego Batman Movie
- 2016 – Gods of Egypt
- 2015 – Mad Max: Fury Road
- 2014 – The Water Diviner
- 2014 – The Lego Movie
- 2013 – The Great Gatsby
- 2011 – Happy Feet Two
- 2010 – Legend of the Guardians: The Owls of Ga'Hoole
- 2009 – Daybreakers
- 2008 – Australia
- 2006 – Happy Feet
- 2002 – The Crocodile Hunter: Collision Course
- 1998 – Babe: Pig in the City
- 1997 – Kiss or Kill
- 1995 – Babe
Selected awards and nominations
Academy Awards
| Year | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|
| 2022 | Best Sound | Elvis | Nominated | [2] |
BAFTA Film Awards
| Year | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|
| 2022 | Best Sound | Elvis | Nominated | [5] |
AACTA Awards
| Year | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|
| 2022 | Best Sound | Elvis | Won | [6] |
| 2021 | Best Sound in a Documentary | Life in Colour | Won | [7] |
| 2015 | Best Sound | Mad Max: Fury Road | Won | [8] |
| 2014 | Best Sound | The Great Gatsby | Won | [9] |
Australian Screen Sound Guild
| Year | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|
| 2021 | Best Sound for a Documentary | Life in Colour | Won | [10] |
| 2015 | Andrew Plain Award for Best Sound Design | The Water Diviner | Won | [11] |
| 2013 | Best Sound for an Animated Short Film | Woody | Won | [12] |
| Best Film Sound Design | The Great Gatsby | Won | ||
| Best Film Sound Mixing | Won | |||
| 2011 | Best Achievement in Sound for Film Sound Design | Legend of the Guardians: The Owls of Ga'Hoole | Won | [13] |
| 2011 | Best Achievement in Sound for Film Sound Design | Legend of the Guardians: The Owls of Ga'Hoole | Won | [14] |
Motion Picture Sound Editors
| Year | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|
| 2022 | Outstanding Achievement in Sound Editing – Feature Dialogue / ADR | Elvis | Nominated | [15] |
| 2016 | Best Sound Editing - Sound Effects and Foley in a Feature Film | Mad Max: Fury Road | Won | [16] |
