We Shall Not Be Moved (film)
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Iker Compeán Leroux
Victor Leycegui
| We Shall Not Be Moved | |
|---|---|
Theatrical release poster | |
| Directed by | Pierre Saint-Martin |
| Written by | Pierre Saint-Martin Iker Compeán Leroux |
| Produced by | Male Gil Victor Leycegui |
| Starring | Luisa Huertas |
| Cinematography | César Gutiérrez Miranda |
| Edited by | Roberto Bolado Raul Zendejas |
| Music by | Alejandro Otaola |
Production company | Varios Lobos |
| Distributed by | Pimienta Films |
Release dates |
|
Running time | 100 minutes |
| Country | Mexico |
| Language | Spanish |
We Shall Not Be Moved (Spanish: No nos moverán) is a 2024 Mexican satirical black comedy-drama film co-written and directed by Pierre Saint-Martin, in his directorial debut.[1] It stars Luisa Huertas, Rebeca Manríquez, José Alberto Patiño, Pedro Hernández, Agustina Quinci and Juan Carlos Colombo.[2][3] The film is inspired by a true story that happened to Saint-Martin’s mother when her brother died in 1968.[4]
The film was selected as the Mexican entry for Best International Feature Film at the 98th Academy Awards, but it was not nominated.[5]
The film opens with archival footage from the documentary El Grito, depicting the 1968 Mexican student movement and the repression that culminated in the Tlatelolco massacre.
Socorro, a lawyer in her sixties, has spent decades seeking to identify the soldier responsible for the murder of her brother Coque on October 2, 1968. Living in relative isolation in an apartment in Tlatelolco with her sister Esperanza, she maintains strained relationships with both Esperanza and her son Jorge, who grew up under the weight of her unresolved trauma. She has a relatively warmer relationship with Jorge's wife, Lucía. On what would have been Coque's seventy-fifth birthday, Socorro receives a long-lost package revealing the name of the soldier who appears in the final photograph of her brother before his death: Juan Agúndez.
Determined to exact revenge, Socorro tracks down Agúndez with the help of the building's porter, Siddartha. To advance her plan, she blackmails a former superior, now a magistrate in Mexico City, to obtain contact information for a hitman. As her health deteriorates—she suffers from partial deafness and recurrent fainting spells—she mortgages her apartment and arranges Agúndez’s kidnapping. Meanwhile, Lucía, who is pregnant and uncertain about her future due to Jorge’s instability, leaves him and returns to Argentina without disclosing her pregnancy.
When her accomplices falter, Socorro confronts the kidnapped man herself but collapses during the encounter. She wakes up in a hospital and later learns that he was the one who brought her there. The two subsequently share a taxi, during which he explains his version of events. Although he denies being the soldier in the photograph, he admits to having participated in the massacre under orders from a superior officer and offers her a gun to kill him. Socorro ultimately refuses, stating that true justice would have placed him in prison.
The film concludes with Socorro returning home and reconciling with Esperanza. As they reflect and come to terms with Coque's death and the events of 1968, Socorro burns the photograph of her brother while singing "No nos moverán".
Cast
- Luisa Huertas as Socorro
- Rebeca Manríquez as Esperanza
- José Alberto Patiño as Siddartha
- Pedro Hernández as Jorge
- Agustina Quinci as Lucía
- Juan Carlos Colombo as Dr. Candiani
- Gabriela Aguirre as Claudia
- Alberto Trujillo
Release
The film premiered on March 20, 2024, at the 36th Toulouse Cinelatino Film Festival,[6] then screened on June 11, 2024, at the 39th Guadalajara International Film Festival,[7] on July 23, 2024, at the 27th Guanajuato International Film Festival,[8] on October 7, 2024, at the 12th Viva México Film Festival,[9] on November 19, 2024, at the 50th Huelva Ibero-American Film Festival,[10] on April 22, 2025, at the 47th Moscow International Film Festival,[11] and on May 9, 2025, at the 26th Cine Las Americas International Film Festival.[12]
The film was released commercially on July 24, 2025, in Mexican theaters.[13]
Accolades
| Year | Award / Festival | Category | Recipient | Result | Ref. |
|---|---|---|---|---|---|
| 2024 | 36th Toulouse Cinelatino Film Festival | Student Fiction Award | We Shall Not Be Moved | Won | [14] |
| CCAS Fiction Award | Won | ||||
| SFCC Critics' Award | Won | ||||
| 39th Guadalajara International Film Festival | Mezcal Award - Best Film | Won | [15][16] | ||
| Special Mention for Best Performance | Luisa Huertas | Won | |||
| Audience Award | We Shall Not Be Moved | Won | |||
| 48th São Paulo International Film Festival | Best International Film | Nominated | [17] | ||
| 50th Huelva Ibero-American Film Festival | Colón de Oro | Nominated | [18] | ||
| Best Performance | Luisa Huertas | Won | |||
| Casa de Iberoamérica Award | We Shall Not Be Moved | Won | |||
| 2025 | 67th Ariel Awards | Best Picture | Nominated | [19][20][21] | |
| Best Director | Pierre Saint-Martin | Nominated | |||
| Best Actress | Luisa Huertas | Won | |||
| Best Supporting Actress | Agustina Quinci | Nominated | |||
| Best Supporting Actor | Juan Carlos Colombo | Nominated | |||
| Best Breakthrough Performance | José Alberto Patiño | Won | |||
| Best Cinematography | César Gutiérrez Miranda | Nominated | |||
| Best Original Screenplay | Pierre Saint Martin, Iker Compean Leroux | Won | |||
| Best Original Score | Alejandro Otaola | Nominated | |||
| Best Sound | Daniel Rojo Solís. Alejandro Díaz Sánchez, César Gónzalez Cortés | Nominated | |||
| Best Editing | Roberto Bolado, Raúl Zendejas | Nominated | |||
| Best Art Direction | Alisarine Ducolomb | Nominated | |||
| Best Costume Design | Dalia Rosales | Nominated | |||
| Best Makeup | Nominated | ||||
| Best First Work | We Shall Not Be Moved | Won |