Wedding of Theodore Weld and Angelina Grimké

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A symbolic day in the history of the American abolitionist movement was May 14, 1838. On that date two related events occurred: the inauguration in Philadelphia of Pennsylvania Hall, built to symbolize and facilitate the abolitionist movement, and the wedding of Theodore Weld and Angelina Grimké, "the wedding that ignited Philadelphia."[1] The wedding was held that day because of the many out-of-town abolitionists present for the inauguration of the Hall.[2]:102

Theodore Dwight Weld and Angelina Emily Grimké, both devoted to the abolition movement, wed that evening at the house of Anna R. Frost, the bride's widowed sister.[3]:232 The wedding was carefully planned,[4]:288 and "designed to demonstrate, challenge and irritate".[1] Grimké "was getting married in a manner calculated to shock and dismay the pillars of Charleston society, among whom she had been raised".[1] Both bride and groom were famous, and not just in abolitionist circles. Abolitionists from around the country were in attendance. The wedding date and location were selected to maximize publicity for the abolitionist cause. It was designed to illustrate Black and white cooperation, Black skill, and to lead by example.

Their marriage ceremony is unique in American history; there had never been one like it before.[5]:00 No minister married them; they married themselves. Not only did they create their own vows, which at the time was unheard of, they did so extemporaneously. "Neither Theodore nor Angelina felt as if they could bind themselves to any preconceived form of words, and accordingly uttered such as the Lord gave them at the moment."[discuss][6] It is the first marriage in American history in which a man and a woman married as equals,[1] promising affection but not obedience. Both Black and white friends and clergy were present. To make a notary also unnecessary under Pennsylvania law, the signatures of those present witnessed the marriage.[6] The wedding cake used "free" sugar (not produced by enslaved workers).[2]:103

Angelina Emily Grimké

In 1838, Angelina Grimké was known as the "most notorious" woman in the country.[7]:170 She was known as a lecturer, telling of the horrors of slavery she had witnessed first-hand as a member of a distinguished and well-to-do slave-owning family of South Carolina.[8]:43

It was accepted for women to speak to female groups; some sewing circles invited visitors to this effect. But Angelina was the first woman in the United States to appear as a lecturer before large mixed audiences of men and women, which provoked much commentary. When she addressed the Massachusetts Legislature in 1836, it was the first time a woman had addressed any legislative body in the United States.

Theodore Weld

Weld avoided the limelight and didn't hold any office or lead any organization. However, many historians regard Weld as the most important figure in the abolitionist movement, surpassing even Garrison.

Weld and Grimké met in an Ohio training class for abolitionist speakers and activists, which Weld taught. Angelina Grimké and her sister Sarah were the only female participants.

The Grimké–Weld courtship

Weld became aware of Grimké in 1835, when she wrote to William Lloyd Garrison talking about the abolitionist cause. Garrison, somewhat to her surprise, published it, along with great praise.[9][10] Weld read The Liberator, as all American abolitionist leaders did.

Weld and Grimké became more than acquaintances when Weld ran a three-week summer training camp in Ohio for abolitionist organizers. Under the auspices of the American Anti-Slavery Society, 70 agents were trained. The Grimké sisters were the only female students.[5]:664

Both Angelina and Theodore travelled throughout the Northeast in the 1830s, speaking about the slavery and organizing local abolition societies. As a result, their courtship is well documented, as it took place primarily through letters. Fortunately, they have been preserved and published, and there are articles devoted to their relationship.[5]

In the context of nineteenth-century women's rights, Weld and Grimké were set to determine for themselves what marriage between a man and a woman should be. The two "lacked contemporary examples of egalitarian marriages to emulate".[5]

The wedding

After the wedding

References

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