Welcome to the Pleasuredome

The cover art was conceived by ZTT owner Paul Morley and illustrated by graphic artist Lo Cole. The front cover featured an illustration of the Frankie Goes to Hollywood band members; on the back of the album was an illustration of a large animal orgy; and the inner gatefold artwork was an image of a procession of animals entering the head of a very large phallus. The sleeve art proved controversial, and the printing company refused to print the album covers. Cole was forced to alter the orgy image by adding green fig leaves to cover the offending animal genitalia.^[1]

The album's alternative CD cover, and some of the promotional material, used a different image to the vinyl release, instead utilising Peter Ashworth's photograph of the band in a jungle setting built by Ashworth in his studio.^[9]

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[10]
Los Angeles Times	[11]
Mojo	[12]
Pitchfork	8.7/10[13]
Record Collector	[14]
Record Mirror	[15]
Rolling Stone	[16]
Smash Hits	7/10[17]
Sounds	[18]
The Village Voice	C[19]

Close

Reviewing Welcome to the Pleasuredome for Sounds, Carole Linfield praised Frankie Goes to Hollywood for merging "the hip with the witless" on an album of "overkill, overjoy and overcompensation", summarising it as "pretentious rubbish for which we're rewarded with almost illicit ecstasy ... Frankie makes gullibility fashionable."^[18] "By next week I'll be tired of it," commented Richard Cook in NME, "but today this 'play' is funny, sharp, gorgeous."^[3] Jim Reid of Record Mirror felt that while the album "would have made a brilliant single LP", it is still "superbly produced and head and shoulders above the rest", observing "intelligence, real sexual glamour and a sense of fun" distinguishing the band from other contemporary pop acts.^[15]

In the United States, Rolling Stone critic David Fricke found that the album's songs are "too often ... merely alluring fragments", while concluding that it "revels in its own subversiveness with such audacious glee that it is impossible not to be captivated, if not entirely convinced".^[16] The Village Voice's Robert Christgau was less impressed, calling the group "a truly great hype" but ultimately only "a marginally competent arena-rock band who don't know how to distinguish between effeminacy and pretension".^[19]

Retrospectively, AllMusic reviewer Ned Raggett said that Welcome to the Pleasuredome, divorced from "the hype, controversy, and attendant craziness surrounding Frankie", "holds up as an outrageously over-the-top, bizarre, but fun release", as well as "more a testament to Trevor Horn's production skills than anything else."^[10] For Pitchfork, Sasha Geffen wrote that the album's impact "rang out into the years that followed, emblematizing the '80s and loosening the way for bands like Erasure, who would carry a similar torch into the rave years."^[13]

All songs written and composed by Peter Gill, Holly Johnson, Brian Nash and Mark O'Toole except where noted.^{[citation needed]}

Frankie Goes to Hollywood

• Holly Johnson – lead vocals
• Paul Rutherford – backing vocals
• Brian Nash – guitar
• Mark O'Toole – bass guitar
• Peter Gill – drums

Additional personnel

• J. J. Jeczalik – keyboards, programming, software
• Andy Richards – keyboards
• Luís Jardim – percussion
• Anne Dudley – keyboards, string arrangement on "The Power of Love"
• Stephen Lipson – guitar
• Steve Howe – acoustic guitar on "Welcome to the Pleasuredome"
• Trevor Horn – programming, backing vocals, bass guitar

Production

• Produced by Trevor Horn
• Engineers – Stuart Bruce, Steve Lipson
• Mastering – Ian Cooper

Technical

• Cover concept - Paul Morley^[4]
• Illustration by Lo Cole^[1]
• Cover photography - Peter Ashworth^[4]