When God Was a Woman

When God Was a Woman is the U.S. title of a 1976 book by sculptor and art historian Merlin Stone. It was published earlier in the United Kingdom as The Paradise Papers: The Suppression of Women's Rites. It has been translated into French as Quand Dieu était femme (SCE-Services Complets d'Edition, Québec, Canada) in 1978, into Dutch as Eens was God als Vrouw belichaamd – De onderdrukking van de riten van de vrouw in 1979, into German as Als Gott eine Frau war in 1989 and into Italian as Quando Dio era una donna in 2011.

AuthorMerlin Stone

OriginaltitleThe Paradise Papers: The Suppression of Women's Rites

PublisherBarnes and Noble

Publicationdate1976

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When God Was a Woman

Author	Merlin Stone
Original title	The Paradise Papers: The Suppression of Women's Rites
Publisher	Barnes and Noble
Publication date	1976
ISBN	0-15-696158-X
OCLC	3397068
Dewey Decimal	291.2/11
LC Class	BL458 .S76 1978

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Stone spent approximately ten years engaged in research of the lesser-known, sometimes hidden depictions of the Sacred Feminine, from European and Middle Eastern societies, in preparation to complete this work. In the book, she describes these archetypal reflections of women as leaders, sacred entities and benevolent matriarchs, and also weaves them into a larger picture of how our modern societies grew to the present imbalanced state. Possibly the most controversial/debated claim in the book is Stone's interpretation of how peaceful, benevolent matriarchal society and Goddess-reverent traditions (including Ancient Egypt) were attacked, undermined and ultimately destroyed almost completely by the ancient tribes including Hebrews and later the early Christians. To do this they attempted to destroy any visible symbol of the sacred feminine, including artwork, sculpture, weavings and literature. The reason being that they wanted the Sacred Masculine to become the dominant power, and rule over women and Goddess energies. According to Stone, the Torah or Old Testament was in many ways a male attempt to re-write the story of human society, changing feminine symbolism to masculine.

The book is now seen^{[by whom?]} as having been instrumental in the modern rise of feminist theology in the 1970s to 1980s, along with authors such as Elizabeth Gould Davis, Riane Eisler and Marija Gimbutas. Some have related it as well to the work of authors Margaret Murray and Robert Graves.^{[citation needed]}