Whistling Away the Dark
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| "Whistling Away the Dark" | ||||
|---|---|---|---|---|
1970 US single | ||||
| Single by Julie Andrews | ||||
| from the album Darling Lili | ||||
| B-side | "Smile Away Each Rainy Day" | |||
| Released | 1970 | |||
| Genre | Musical, show tune | |||
| Length | 2:33 | |||
| Label | RCA | |||
| Songwriters | Henry Mancini, Johnny Mercer | |||
| Julie Andrews singles chronology | ||||
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"Whistling Away the Dark" is a song composed by Henry Mancini with lyrics by Johnny Mercer, written for the 1970 musical film Darling Lili starring Julie Andrews. The song was released as a single by RCA Records to promote the film and the album Julie Andrews / Henry Mancini Perform Music from the Film Score Darling Lili. Featured in the movie's opening scene, the waltz accompanies Andrews' performance amid wartime imagery, blending intimacy with broader themes of deception.
In 1971, the song won Best Original Song – Motion Picture at the 28th Golden Globe Awards, and was nominated for Best Song – Original for the Picture at the 43rd Academy Awards. The track remains one of Mancini and Mercer's most acclaimed collaborations.
"Whistling Away the Dark" was released as a single by RCA Records in the same year together with "Smile Away Each Rainy Day" as a B-side (catalog numer: 47-9851), to promote the movie and the studio album Julie Andrews / Henry Mancini Perform Music from the Film Score Darling Lili.[1] Although the songs on the cited album were not taken directly from the film's soundtrack, Mancini's arrangements closely resemble the film versions. "Whistling Away the Dark" appears in two different versions.[2]
Featured prominently in the film's opening scene, the waltz "Whistling Away the Dark" accompanies Andrews' performance as her character, Lili, sings onstage amid wartime tensions. It contrasts intimate vulnerability with the film's broader themes of deception and genre-blending, underscored by Blake Edwards' direction, which intercuts Andrews' rendition with wartime imagery like zeppelins and submarines.[3][4]
In her memoir Home Work: A Memoir of My Hollywood Years (2019), Andrews recounted that filming the song was both demanding and deeply rewarding. Director Blake Edwards, her husband at the time, envisioned the scene as a single continuous take, which required extensive rehearsals, special lighting effects, and highly disciplined camera work involving complex focus changes and cable-pulling. Andrews noted that she "danced with the camera", moving in sync with it and having to hit her marks precisely while lip-syncing flawlessly from beginning to end. Although the shoot took an entire day, Andrews described the result as "a beautiful piece of filmmaking on Blake's part".[5]