Wilfrido Nolledo

Filipino writer (1933–2004) From Wikipedia, the free encyclopedia

Wilfrido Dayo Nolledo (January 19, 1933 – March 6, 2004) was a Filipino novelist, short story writer, playwright, screenwriter, and journalist. He is best known for his novel But for the Lovers (1970), set during the Japanese occupation of the Philippines.[1][2]

Born
Wilfrido Dayo Nolledo

(1933-01-19)January 19, 1933
Manila, Philippines
DiedMarch 6, 2004(2004-03-06) (aged 71)
Los Angeles, California, United States
Occupation
  • Novelist
  • short story writer
  • playwright
  • screenwriter
  • journalist
NationalityFilipino
Quick facts Born, Died ...
Wilfrido D. Nolledo
A man sitting in at a desk, holding a pen and wearing a white shirt. A green typewriter is behind the man on his right.
Born
Wilfrido Dayo Nolledo

(1933-01-19)January 19, 1933
Manila, Philippines
DiedMarch 6, 2004(2004-03-06) (aged 71)
Los Angeles, California, United States
Occupation
  • Novelist
  • short story writer
  • playwright
  • screenwriter
  • journalist
NationalityFilipino
Alma materUniversity of Santo Tomas
University of Iowa
GenreLiterary fiction, magic realism
Notable worksBut for the Lovers (1970)
Close

Biography

Nolledo was born in Manila, Philippines. He studied journalism at the University of Santo Tomas and later attended the Iowa Writers' Workshop,[1] on a Fulbright scholarship.[3] During this time, he also served as the fiction editor of The Iowa Review.[4]

He began his literary career in the 1950s and received several Palanca Awards.[5] He also wrote for the Philippines Free Press.[1]

Works

Novel

  • But for the Lovers (1970)
  • Sangria Tomorrow (1981)
  • Vaya Con Virgo (1984)

Short stories

  • In Caress of Beloved Faces (1960)
  • Adios, Ossimandas (1961)
  • Rice Wine (1962)
  • Cadena de Amor and Other Stories (2004)

Plays

  • Island of the Heart (one-act play; 1956)
  • Legend of the Filipino Guitar (one-act play; 1958)
  • Amour Impossible (one-act play; 1961)
  • Turn Red the Sea (one-act play; 1963)
  • Rise, Terraces (one-act play; 1964)
  • Flores Para Los Muertos (one-act play; 1966)
  • Dulce Estranjera (one-act play; 1974)
  • The Terrorist Dialogue (1977)

Reception

Nolledo's work has been noted for its complex narrative style and lyrical prose. His novel But for the Lovers received critical attention in both the Philippines and internationally, including reviews in The New York Times Book Review.[2]

References

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