William James Grant

In 1848 Grant showed Edward the Black Prince entertaining the French King after the Battle of Poitiers at the Royal Academy. During the next few years he painted mainly religious subjects, such as Christ casting out the Devils at Gadara (1850) and Samson and Delilah (1852). In 1853 he reverted to historical subjects, and among his later pictures were Mozart's Requiem (1854), Scene from the Early Life of Queen Elizabeth (1857), Eugene Beauharnais refusing to give up the Sword of his Father (1858), The Morning of the Duel (1860), and The Last Relics of Lady Jane Grey (1861). In 1866 he exhibited The Lady and the Wasp and Reconciliation. A picture of The Widow's Cruse of Oil, painted for a private commission, was exhibited at Liverpool.^[1]

Grant also executed drawings in red and black chalk, mostly illustrations to poetry.^[1]

Wikimedia Commons has media related to William James Grant.

• 3 artworks by or after William James Grant at the Art UK site

Attribution

 This article incorporates text from a publication now in the public domain: Stephen, Leslie; Lee, Sidney, eds. (1890). "Grant, William James". Dictionary of National Biography. Vol. 22. London: Smith, Elder & Co.