Wooden Seated Child Manjusri of Sangwonsa Temple

The statue's creation is directly linked to a well-known story involving King Sejo (r. 1455–1468), who was a devout Buddhist. During his later years, King Sejo suffered from a severe and painful skin disease that no royal physician could cure. Believing it to be karmic retribution for his usurpation of the throne from his nephew, King Danjong, he made pilgrimages to many famous temples to pray for healing.^[2]

According to the legend, while visiting Sangwonsa Temple, Sejo was bathing in a nearby stream when a young boy (dongja) appeared and offered to scrub his back. As the boy washed him, the king felt his skin being soothed. He confided in the boy that his ailment was a great secret, to which the boy replied, "You must also promise never to tell anyone that you have seen Mañjuśrī Bodhisattva (known as Munsu Bosal in Korean)." With those words, the boy vanished. The king's disease was miraculously cured.^[3] In gratitude for this divine intervention, King Sejo commissioned the creation of this statue in the image of the child Bodhisattva who had healed him. It is also popularly believed that the statue's face was modeled after Sejo's first son, Crown Prince Uigyeong, who had died young at the age of 19.^[4]

For centuries, the connection between the statue and King Sejo was regarded as a legend. However, during conservation work conducted in July 1984, a concealed compartment within the statue was uncovered, revealing a collection of votive offerings known as bokjang. Among the contents were over 20 historical documents and textiles, providing valuable insight into the statue’s provenance.^[5]

The most significant item was a copy of the Worin seokbo (월인석보; 月印釋譜), a major Buddhist text compiled under the patronage of King Sejo. According to the colophon accompanying the text, the restoration of Sangwonsa Temple took place in the same year, and the child Mañjuśrī statue housed in the temple was commissioned in the second month of the 12th year of Sejo's reign (1466) by Princess Uisuk, his second daughter, and her husband, Jeong Hyeon-jo, in the hope of bearing a son.^[5]

A jacket discovered within the statue bears unusual yellow and red stains, which some believe to be traces of blood and pus from King Sejo, who, according to legend, was cured of a severe skin disease through the divine intervention of Mañjuśrī residing on the Five-Peak Mountain (Odaesan).^[6]

This discovery confirmed the precise creation date of the statue, verified its royal patronage, and transformed what had previously been considered legend into a historically documented event.^[6]