Wyoming Mail

1950 film by Reginald Le Borg From Wikipedia, the free encyclopedia

Wyoming Mail is a 1950 American Western film directed by Reginald Le Borg and starring Stephen McNally and Alexis Smith.[1][2][3]

Directed byReginald Le Borg
Screenplay byHarry Essex
Leonard Lee
Produced byAubrey Schenck
Quick facts Directed by, Screenplay by ...
Wyoming Mail
Theatrical release poster
Directed byReginald Le Borg
Screenplay byHarry Essex
Leonard Lee
Story byRobert Hardy Andrews
Produced byAubrey Schenck
StarringStephen McNally
Alexis Smith
CinematographyRussell Metty
Edited byEdward Curtiss
Color processTechnicolor
Production
company
Universal International Pictures
Distributed byUniversal Pictures
Release dates
  • October 18, 1950 (1950-10-18)
  • October 22, 1950 (1950-10-22) (New York)
Running time
87 minutes
CountryUnited States
LanguageEnglish
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Plot

In 1869, when the railroad mail service is threatened by frequent bandit attacks, the authorities assign federal postal inspector and former professional boxer Steve Davis to infiltrate a gang. He poses as an escaped convict and joins the criminal operation in order to destroy it from the inside.[4]

Cast

Production

The railroad scenes were filmed on the Sierra Railroad in Tuolumne County, California.[5] The action involving pursuit of the mail trains by mounted bandits was filmed from camera trucks by cinematographer Russell Metty.[6] Director Reginald LeBorg was particularly pleased with one scene that he had inserted into the production:

I did something different when the cowboy [gang members] rode in. I had Stephen McNally stop in the midst of riding on the prairie and pick some flowers to bring to his sweetheart. A [Hollywood] cowboy never did that before, which is a nice touch. So the critics picked up on it. That’s what I do.[7]

Reception

In a contemporary review for The New York Times, critic A. H. Weiler wrote: "If the trappings of Technicolor, eye-filling rugged backgrounds, some name players and post-Civil War costuming were stripped from 'Wyoming Mail,' it would be bared as another horse opera. It just about misses that fate. But since the muscular melodrama ... does have these attributes, it may be set—a notch, say—above the run-of-the-range sagebrush saga."[8]

Notes

References

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