X International Chopin Piano Competition
Piano competition (1980)
From Wikipedia, the free encyclopedia
The X International Chopin Piano Competition (Polish: X MiÄdzynarodowy Konkurs Pianistyczny im. Fryderyka Chopina) was held from 1 to 20 October 1980 in Warsaw. Äặng Thái SÆ¡n, who in the final played with an orchestra for the first time in his life, won first prize, becoming the first pianist from Asia to do so. The elimination of Ivo PogoreliÄ after the third stage was a great source of controversy.
| The Tenth International Fryderyk Chopin Piano Competition | |
|---|---|
| Date | 1â20 October 1980 |
| Venue | National Philharmonic, Warsaw |
| Hosted by | Fryderyk Chopin Society |
| Winner | |
Awards
The competition consisted of three elimination stages and a final with seven pianists.
The following prizes were awarded:[1]
| Prize | Winner | |
|---|---|---|
| Äặng Thái SÆ¡n | ||
| Tatiana Shebanova | ||
| Arutyun Papazyan | ||
| 4th | not awarded | |
| 5th | Akiko Ebi | |
| Ewa PobÅocka | ||
| 6th | Erik Berchot | |
| Irina Pietrova | ||
| HM | Dan Atanasiu | |
| Bernard d'Ascoli | ||
| Angela Hewitt | ||
| Hung-Kuan Chen | ||
| Kevin Kenner | ||
| Alexander Lonquich | ||
| Ivo PogoreliÄ | ||
| William Wolfram | ||
Three special prizes were awarded:
| Special prize | Winner | |
|---|---|---|
| Best Performance of a Concerto | Äặng Thái SÆ¡n | |
| Tatiana Shebanova | ||
| Best Performance of Mazurkas | Äặng Thái SÆ¡n | |
| Ewa PobÅocka | ||
| Best Performance of a Polonaise | Äặng Thái SÆ¡n | |
| Tatiana Shebanova | ||
Jury
The jury consisted of:[1]
Martha Argerich (
VII)
Paul Badura-Skoda
Rodolfo Caporali
Josep Colom
Halina Czerny-StefaÅska (
IV)
Sergei Dorensky
Jan Ekier
Liuba Enczewa
Rudolf Fischer
Lidia GrychtoÅówna
Iving Heller
Rex Hobcroft
Ludwig Hoffmann
Andrzej JasiÅski
Geneviève Joy
Louis Kentner
Kazimierz Kord (chairman)
Eugene List
Nikita Magaloff (vice-chairman)
Frantisek Rauch (vice-chairman)
Regina Smendzianka
Péter Solymos
Zbigniew ÅliwiÅski
Kazuko Yasukawa
Tadeusz Å»mudziÅski
PogoreliÄ Scandal
There was a sensation at the 1980 Chopin Competition in Warsaw when, in a decision going against audience opinion, Ivo PogoreliÄ was not admitted to the final round because of his unconventional interpretations. This came about because of a wide discrepancy in the jury's marking; half the panel of judges gave him the highest number of points and half the lowest. He was awarded only a special prize for his "exceptionally original pianistic talent". Others were less fond of his less traditional style of play.
Jury member Eugene List explained: "I'm the first to say that the boy is very talented [...] but I voted very low for him. This is a special kind of competition. It's only Chopin. He doesn't respect the music. He uses extremes to the point of distortion. And he puts on too much of an act." Louis Kentner resigned after the first stage after all of his students had been eliminated from the competition,[1] saying that "if people like PogoreliÄ make it to the second stage, I cannot participate in the work of the jury. We have different aesthetic criteria."[2]
In the third stage, PogoreliÄ once again caused controversy, performing his program in the wrong order, leaving the stage part way through, and wearing an extravagant concert attire that made him look like "a prince dropped in the middle of the desert". In the end, PogoreliÄ was not admitted into the final. Martha Argerich resigned in protest, proclaiming him a "genius" who "her colleagues could not appreciate because of an entrenched conservatism", which is "why she was ashamed to be associated with them". Nikita Magaloff and Paul Badura-Skoda announced their solidarity with Argerich, though coming short of resigning themselves, declaring that it was "unthinkable that such an artist should not make it to the finals".[2] According to Äặng Thái SÆ¡n, the eventual winner, Argerich still sent a public telegram to Warsaw to congratulate him, after learning the final results.[3]
PogoreliÄ later accused in a one-sided interview in 1993, claiming that "The Soviet Bloc authorities had decided months before the competition that it was politically necessary to have a North Vietnamese winner. My decision to participate was not at all welcome. I was told I should wait a year, for the Tchaikovsky competition, when I would have the first prize guaranteed."[4] In 2008, he demanded an official inquiry into the jury decisions of the 1980 competition, however, the Chopin Institute refused to reopen the case.[2]