Xavier Löwenthal

From Wikipedia, the free encyclopedia

Born (1970-10-18) October 18, 1970 (age 55)
Occupations
  • Author
  • cartoonist
  • publisher
  • editor
  • translator
  • performer
KnownforFounder of La Cinquième Couche
Parent(s)Paul Löwenthal (father)
Maria Swinnen (mother)
Xavier Löwenthal
Xavier Löwenthal
Born (1970-10-18) October 18, 1970 (age 55)
Occupations
  • Author
  • cartoonist
  • publisher
  • editor
  • translator
  • performer
Known forFounder of La Cinquième Couche
Parent(s)Paul Löwenthal (father)
Maria Swinnen (mother)
RelativesAnne Löwenthal (sister)
Websitexavierlowenthal.com

Xavier Löwenthal (born 18 October 1970 in Schaerbeek, Brussels) is a Belgian author, cartoonist, comics theorist, producer, performer, translator and publisher, and the founder of the publishing group and imprint La Cinquième Couche. He is the son of economist Paul Löwenthal and Maria Swinnen, a Belgian-Argentine psychologist.

Personal life

Löwenthal was born on 18 October 1970 in Schaerbeek,[1][2] a municipality of Brussels, Belgium. After graduating from the Institut Saint-Luc de Bruxelles, he founded the publishing house La Cinquième Couche.[3]

Since 1994, he has worked within the publishing structure of La Cinquième Couche. As an author, his works include Cotton Schwob (1995), a social satire; Iphigénie (2000), exploring indeterminacy in Newtonian models; Lettres à Pauline (2003);[4] Le Coup de grâce; Les Aventures de Wim Delvoye (with François Olislaeger and Wim Delvoye); Le Manifeste du dégagisme and Le Dégagisme du manifeste (both with the Collectif Manifestement).[5] He has also produced Oulipo-inspired comics, including contributions to Comix 2000 and the journal La 5e Couche.

In 1999, alongside Christophe Poot, he took part in the Terre-Neuve project organised by the Recyclart association, aimed at transforming the urban rupture caused by the North–South railway junction in Brussels, contributing to five panels of approximately 16 square metres (170 sq ft) each.[6]

He has also contributed to the journal Écritures and is the author of pamphlets, including Pour un art après l'art après Auschwitz[7] (Maelström, 2009).

He served as spokesperson for the anonymous author of the controversial comic Katz (Ilan Manouach), a subversive reworking of Maus by Art Spiegelman.[8][9][10] With Ilan Manouach, he co-founded Essaim, a concept of collective creation and détournement, including Noirs (2014), a reworking of The Black Smurfs by Peyo, printed entirely in cyan, and Tintei akei Kongo, a Lingala-language version of the famous Tintin album by Hergé.

Under the pen name Judith Forest, he co-authored (with William Henne and Thomas Boivin) the autobiographical comics 1h25 (2009) and Momon (2011), in which Löwenthal appears as a character.[11]

In 2019, he published his first novel, Nathan, described by the RTBF programme Sous Couverture as "a thoroughly contemporary novel on cynicism and the schizophrenia of postmodern society."[12]

William Henne (left), Didier Pasamonik (centre) and Xavier Löwenthal (right) at the BD Comic Strip Festival, 7 September 2024.

He is a founding member of the Collectif Manifestement, alongside his sister Anne Löwenthal, and serves as the collective's spokesperson.[13]

As a translator, his works include Snake 'n' Bacon's Cartoon Cabaret[14] (2008) by Michael Kupperman, L'Art érotique[15] (2020) by Anton Kannemeyer and Conrad Botes, and An Encyclopaedia of Pacifism (2025) by Aldous Huxley, all published by La Cinquième Couche.

From 2023 onwards, he has worked with William Henne on editing and publishing the works of Chaïm Kaliski at La Cinquième Couche, including Jim d'Etterbeek, Dossin, and La Destruction des Juifs d'Europe.

He also teaches contemporary dance as part of the project PHD in one night, with Jacques Rancière and People Coming from Nowhere.[5] As an actor, he has appeared in several films in minor roles.[5]

He also teaches at INRACI.[2]

He is the father of three children.[5]

Publications

Graphic novels

  • Cotton Schwob: Based on a True Story, La Cinquième Couche, Brussels, 1995.
  • Iphigénie, La Cinquième Couche, Brussels, April 2000. ISBN 2-9600186-2-1. Afterword by François Schuiten.
  • Lettres à Pauline : récit d'un voyageur au pays des Indiens Tawahkas,[4] La Cinquième Couche, Brussels, March 2003. ISBN 2-930356-01-4.
  • La Jérusalem céleste, les aventures de Wim Delvoye (with François Olislaeger), La Cinquième Couche, Brussels, 2010. ISBN 2-930356-77-4.
  • On n'a pas marché sur la Lune (with Sylvain Paris), La Cinquième Couche, Brussels, 2025. ISBN 978-2-39008-116-6.[a]

Under the pen name Judith Forest

  • 1h25 (with William Henne and Thomas Boivin, under the pen name Judith Forest), La Cinquième Couche, Brussels, 2009.
  • Momon[16] (with William Henne and Thomas Boivin, under the pen name Judith Forest), La Cinquième Couche, Brussels, 2011.

With the Collectif Manifestement

Essays and other writings

  • Notes pour la critique (preface to L'Étang et les spasmes dans la bande dessinée by Pierre Yves Lador), Castagniééé, Vevey, 2006.
  • Pour un art après l'art après Auschwitz,[7] pamphlet, Maelström, Brussels, 2009. ISBN 978-2-87505-001-4.
  • Metakatz, La Cinquième Couche, Brussels, 2013, 207 pp. ISBN 978-2-930356-90-7.
  • Nathan (subtitled roman pornographique et misogyne pour jeune fille),[18] Hélice-Hélas, Vevey, 2019. ISBN 978-2-940522-80-4.

Conceptual books and détournements

Editions of Chaïm Kaliski's work

From 2023 onwards, Löwenthal and William Henne have edited and published the works of Chaïm Kaliski at La Cinquième Couche:

Collective publications

Translations

Illustrations

Exhibition catalogues

Exhibitions

Solo exhibitions

Group exhibitions

Notes

References

Further reading

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