Yadira Pascault Orozco
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Yadira Pascault Orozco | |
|---|---|
 Orozco in Los Angeles | |
| Born | Yadira Pascault Orozco |
| Occupations | Actress, producer |
| Years active | 1995–present |
| Board member of | Clementina Films |
Yadira Pascault Orozco is a French Mexican film, television, and theater actress and producer based in Los Angeles. She has most recently worked on the hit Telemundo series La Jefa, on Netflix's Los Corruptores and as Mata Hari on "Behind The Myth", an episode of the Emmy Award winning series Expedition Files on the Discovery Channel.[1] She has appeared in several feature films including; Heroes Game (Juego de Héroes), Between Us (Aquí entre nos) and No eres tú, soy yo, and has performed starring and co-starring dramatic roles in many prime-time episodic television programs for TV Azteca.[2][3]
Yadira Pascault Orozco began her onscreen career as the presenter of the rock n roll program called Sónicamente[4] and was also the host of the cinema culture show El Once En El Cine,[4] both on Canal Once.
Pascault Orozco also produces both theater and film. She was an associate producer of the feature films, Nosotros los Nobles (English: The Noble Family),[4] El Cumple de la Abuela,[5] No Eres Tu Soy Yo, Amor de mis Amores, 31 Días, Boogie El Aceitoso [6] Allá en el Rancho, and was the principal producer of the play La Promesa (written by the Soviet playwright Aleksei Arbuzov, that ran at several different locations in Mexico City during 2013.[7]
Two of her films are among the top ten all-time Mexican box office successes in history. In 2013, the comedy feature Nosotros los Nobles (The Noble Family), of which she was an associate producer, rose to the number one ranking after taking in $165.3 million Mexican pesos, rising above even the revered Arráncame la vida (2008; $110 million Mexican pesos) and Y Tu Mamá También (2000; $123 million pesos). In 2010, after only a month in national cinemas, the romantic comedy No Eres Tu Soy Yo (of which Pascault Orozco was both an associate producer and an actress) collected more than $100 million Mexican pesos and became the fifth highest-grossing film in the history of Mexican cinema, according to a report published by the National Chamber of the Cinematographic and Videogram Industry.[8][9][10]
