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Ye Watchers and Ye Holy Ones

1906 hymn From Wikipedia, the free encyclopedia

"Ye Watchers and Ye Holy Ones" (Latin: Vigiles et Sancti) is a popular Christian hymn with text by Athelstan Riley, first published in the English Hymnal (1906). It is sung to the German tune Lasst uns erfreuen (1623).[1][2] Its uplifting melody and repeated "Alleluias" make this a favourite Anglo-Catholic hymn during the Easter season, the Feast of All Saints, and other times of great rejoicing.

GenreHymn
Written1906
Quick facts Genre, Written ...
Ye Watchers and Ye Holy Ones
Original publication: English Hymnal, 1906
GenreHymn
Written1906
TextAthelstan Riley
Based onPsalm 135:1-3
Meter8.8.8.8.8.8.8.4
Melody"Lasst uns erfreuen"
Close

The hymn was also notably adapted for the final movement of The Company of Heaven (1937), a cantata by Benjamin Britten.[3]

Text

The 1906 text is based on two ancient Christian prayers, Te Deum and Axion Estin.[1] The first stanza addresses each of the traditional nine choirs of angels. The second stanza focuses on the Blessed Virgin Mary. The third stanza urges the faithful departed to join in praising God, including the church patriarchs, prophets, apostles, martyrs and saints, addressed in groups similar to those in the Litany of the Saints. The fourth stanza finally addresses the present congregation to join together in praise. So, this hymn addresses the traditional Three States of the Church (the Church Triumphant, the Church Expectant, the Church Militant), reflecting the belief in the communion of saints.[4]

The original text follows:[2]

Ye watchers and ye holy ones,
Bright Seraphs, Cherubim and Thrones,
Raise the glad strain, Alleluya!
Cry out, Dominions, Princedoms, Powers,
Virtues, Archangels, Angels' choirs,
Alleluya, Alleluya, Alleluya, Alleluya, Alleluya!

 

O higher than the Cherubim,
More glorious than the Seraphim,
Lead their praises, Alleluya!
Thou Bearer of the eternal Word,
Most gracious, magnify the Lord,
Alleluya, Alleluya, Alleluya, Alleluya, Alleluya!

 

Respond, ye souls in endless rest,
Ye Patriarchs and Prophets blest,
Alleluya, Alleluya!
Ye holy Twelve, ye Martyrs strong,
All Saints triumphant, raise the song,
Alleluya, Alleluya, Alleluya, Alleluya, Alleluya!

 

O friends, in gladness let us sing,
Supernal anthems echoing,
Alleluya, Alleluya!
To God the Father, God the Son,
And God the Spirit, Three in One,
Alleluya, Alleluya, Alleluya, Alleluya, Alleluya!
Amen.

Melody

Below is the 1623 German hymn tune Lasst uns erfreuen, as set in the 1906 English Hymnal:[5]


<< <<

ew Staff { clef treble 	ime 3/2 partial 2 key es major set Staff.midiInstrument = "church organ" set Score.tempoHideNote = ##t override Score.BarNumber  #'transparent = ##t
  
elative c' 
  << { es2^markup { italic "Unison." } | es4 f g es g as | <bes f>1 es,2 | es4 f g es g as | <bes f>1 bar"||" break
  es4^markup { italic "Harmony." } d | c2 bes es4 d | c2 besfermata breathe bar"||" es2^markup { italic "Unison." } | es4 bes bes as g as | break <bes f>1 es2 | es4 bes bes as g as | bes1 bar"||"
  as4^markup { italic "Harmony." } g | f2 es as4 g | break f2 es es'4 d | c2 bes es4^markup { italic "Unison." } d | c2 bes as4 g | f1. | es1 bar"|." } 
  { bes2 | es1 es2 | es2 d es | bes4 d es2 es2 | es2 d
  bes'4 bes | bes( as) g2 es4 d | g( f) d2 bes'4 as | g2~ g4 f es2 | es d es4 f | <bes es,> <as d,> <g es> es2. | es4 d g f
  es4 es | es( d) es2 es4 es | es( d) c2 g'4 f | g( f) d2 <bes' g>~ | <bes g>4 <as f>4~ <as f> <g c,> c, es | es2 d1 | bes } 
  { s2 | s1. | s1. | s1. | s1 
  s2 | s1. | s1. | s1. | s1 stemDown once override NoteColumn.force-hshift = 0 bes'2 } >> %necessary for that one note
}

ew Lyrics lyricmode {
""2 | ""1. ""1. ""1. ""1
""2 | ""1. ""1. ""1. ""1. ""1. ""1
Al4 -- le -- lu2 -- ya, Al4 -- le -- lu2 -- ya,
Al4 -- le -- lu2 -- ya, Al4 -- le -- lu2 -- ya,
Al4 -- le -- lu1. -- ya!1
}

ew Staff { clef bass key es major set Staff.midiInstrument = "church organ"
  
elative c'
  << { g2 | g4 as bes g c2 | bes1 bes4 c | bes as bes2 c | bes1 
  es4 es | es2 es g,4 bes | bes( a) bes2 es2 | es2~ es4 bes bes as | f2 bes bes | bes~ bes4 es d c | bes1 
  c4 c | c( bes) bes2 c4 bes | c( as) g2 g4 bes | bes( a) bes2 g2~ | g4 as f g as bes | c2 bes as | g1 } 
  { es2 | es~ es2 es8 d c4 f | bes, bes'4 as g as | g f es d c f | bes,2 bes'4 as 
  g g | as2 es c4 d | es( f) bes,2fermata g'4 f | es d c d es c | bes2 bes'4 as g as | g f es c' bes as | g f es d 
  c bes | as2 g f4 g | as( bes) c2 c4 d | es( f) bes,2 c4 d | es f d e f g | as2 bes bes, | <es es,>1 } 
  { s2 | s1. | s1. | s1. | s1
  s2 | s1. | s1. | s1. | s1. | s1. | s1 
  s2 | s1. | s1. | s1 stemUp once override NoteColumn.force-hshift = 0 bes'2 } >> %necessary for that one note
}
>> >>
layout { indent = #0 }
midi { 	empo 2 = 70 }

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