You Are What You Act
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Daniel Lynn,
Kieran Crilly,
Bill Stone[1]
| You Are What You Act | |
|---|---|
 | |
| Directed by | Albert Nerenberg[1] |
| Written by | Albert Nerenberg[2] |
| Produced by | Frédéric Bohbot[1] |
| Cinematography | Alexandre Chabot, Daniel Lynn, Kieran Crilly, Bill Stone[1] |
| Edited by | Joseph Bohbot[1] |
| Music by | Paul Baraka[1] |
Production companies | |
| Distributed by | Cargo Films & Releasing[1] |
Release date |
|
Running time | 78 minutes[1] |
| Country | Canada |
| Language | English |
You Are What You Act (French: J'agis, donc je suis)[4] is a 2018 Canadian documentary film[1] written and directed by Albert Nerenberg, and produced by Frédéric Bohbot.[2] Commissioned by the Documentary Channel and Canal D,[5] the film points out how film actors often become their roles and suggests these principles apply to ordinary people in terms of actualizing confidence, heroism, health and even love.
The film explores a new field of science called embodied cognition, with some of the leading researchers in the field including George Lakoff, Gabor Maté, Paul Ekman, Philip Zimbardo, and Harvard psychologist Amy Cuddy.[5]
The shorthand expression, "fake it till you make it", appears to ring true, though it can also backfire (people behaving overconfidently) and it also applies to undesirable outcomes (acting depressed and becoming depressed).[6]
A section of the film explores the "hack for love" as proposed by psychologist Robert Epstein, and features Madan Kataria, the inventor of laughter yoga.[5]
Production
Inspiration
Nerenberg noticed how many actors had performed acts of heroism, and began wondering if these actors were "practising" courage without realizing it. When he began researching the documentary, he saw there was an even more precise pattern: "Sure, many stars play heroes, but only some perform outstanding heroic acts in public. It was most often actors who do their own stunts, people likely into the physical culture of stunts and action."[7] Nerenberg has a background in acting himself:"I've always thought that, for me, learning acting was a really empowering experience... So I had always been interested in sort of the science of the way acting changes people."[8] Bill Brownstein remarks that Nerenberg first wrote about the idea in his Montreal Gazette column some eight years previously.[6]
Financing
The film received funding from the Canada Media Fund.[1]
Filming
Parts of the film were shot in Kingston, Ontario, where Nerenberg lives part-time.[8]