Kendell Geers
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Naissance
Nationalités
Activités
Période d'activité
Kendell Geers
Kendell Geers
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Kendell Geers (né en 1968 à Johannesburg[1],[2]) est un artiste contemporain originaire d'Afrique du Sud.
- "Hanging Piece" 1993, Zeitz Museum of Contemporary African Art, Cape Town, South Africa [3]
- "Akropolis Redux (The Directors Cut)" 2004 Emst Collection Athens, Greece[4]
- "Monument to the Unknown Anarchist" BPS22 Collection, Charleroi, Belgium[5]
- "T.W. (I.N.R.I.)" 1994, Centre Pompidou Collection, Paris, France[6]
- "Tears for Eros," Chicago Art Institute Collection, Chicago, USA[7]
Expos
- “Dysfunctional,” Ca’D’Oro, Curated by Michèle Lamy, Venice Biennial, Italy [8] (2019)
- “Eldorado, Golden Room,” Musée des Beaux Arts de Lille, Curated by Jérôme Sans and Jean-Max Colard, Lille, France (2019)
- “Documenta 14,” Curated by Adam Szymczyk, Fridericianum, Kassel, Germany [4] (2017)
- “The 11th edition of the Shanghai Biennale,” Curated by Raqs Media Collective, Shanghai, China (2016)[9]
- “A History: Contemporary Art from the Centre Pompidou,” Curated by Christine Macel, Haus der Kunst, Munich, Germany[10] (2016)
- “Kendell Geers, 1988-2012,” Curated by Okwui Enwezor and Clive Kellner, Haus der Kunst, Munich, Germany (Solo) [11] (2013)
- “The Marriage of Heaven and Hell,” Château de Blandy-les-Tours, France (Solo) [12] (2013)
- “NEWTOPIA: The State of Human Rights,” Curated by Katerina Gregos, Mechelen, Belgium [13] (2013)
- “MANIFESTA 9”, Curated by Cuauhtémoc Medina, Dawn Adès, Katerina Gregos, Genk, Limburg, Belgium [14] (2012)
- “Contemplating the Void[15],” Solomon R. Guggenheim Museum, New York[16] (2010)
- “Lust and Vice: The Seven Deadly Sins from Dürer to Nauman,” Kunstmuseum Bern, Bern , Switzerland [17] (2010)
- “The 29th Bienal de São Paulo”, Brazil [18] (2010)
- “Irrespektiv,” S.M.A.K., Gent, Belgium (Solo) [19],[20](2007)
- “Stock Zero, Or The Icy Water Of Egoistical Calculation,” Curated by Nicolas Bourriaud, 2 Moscow Biennale of Contemporary Art, Moscow [21] (2007)
- “African Pavilion,“ Curated by Sindika Dokolo, Simon Njami and Fernando Alvim, 52nd Venice Biennale, Venice, Italy [22] (2007)
- “Global Cities,” Turbine Hall, Tate Modern, London [23] (2007)
- “Auto Da Fé,” BPS22, Charleroi, Belgium (Solo)[24] (2007)
- “Dionysiac,” Centre Pompidou, Curated by Christine Macel Paris, France [25] (2005)
- “Expérience de la durée, ” Curated by Nicolas Bourriaud and Jérôme Sans, Biennale de Lyon 2005, Lyon[26] (2005)
- “Sexus,“ Cimaise et Portique Centre Départemental d’Art Contemporain, Albi, France (Solo) [27] (2004)
- “TerroRealismus,” Migros Museum of Contemporary Art, Zurich, Switzerland (Solo) (2003)
- “Guided by Heroes,” curated by Raf Simons, Z33, Hasselt (2003)
- “Poetic Justice,” 8th International Istanbul Biennal, Hagia Sophia Museum, Turkey[28] (2003)
- “HardCore - Vers un Nouvel Activisme," Curated by Jérôme Sans, Palais de Tokyo, Paris[29] (2003)
- “Sympathy for the Devil,“ Palais de Tokyo, Paris, France (Solo) [30] (2002)
- “Documenta 11,” Kassel, Curated by Okwui Enwezor Germany [31] (2002)
- “The Short Century,” Curated by Okwui Enwezor, MoMA PS1, New York, USA [32],[33] (2002)
- “Berlin Biennale,” Curated by Saskia Bos, Jannowitzbrücke, Berlin, Germany [34] (2001)
- “Ex Africa Semper Aliquid Novi,” Marian Goodman Gallery, Paris, France (Solo) (2000)
- “The Sky is the Limit,” Curated by Jérôme Sans and Manray Hsu, Taipei Biennial, Taipei, Taiwan[35] (2000)
- “Carnegie International,” Curated by Madeleine Grynsztejn, Carnegie Museum of Art , Pittsburgh, Pennsylvania, USA [36] (1999)
- “Global Conceptualism: points of Origin 1950s-1980s,” Curated by Okwui Enwezor , Queens Museum of Art, New York [37] (1999)
Bibliographie
- "Argot" Chalkham Hill Press, 1993. (ISBN 0-620-19048-5).
- "Contemporary South African Art," Jonathan Ball Publishers, 1997. (ISBN 978-1-86842-039-1).
- "My Tongue in Your Cheek," Dijon: les Presses du réel; Paris: Réunion des musées nationaux, 2002. (ISBN 2-7118-4374-2).
- "The Plague is Me," Artist Book, One Star Press, France 2003, Limited Edition of 250 copies
- Kendell Geers. Mondadori Electa, 2004. (ISBN 88-370-3050-9).
- "Kendell Geers; The Forest of Suicides." published by MACRO, Museo D'Arte Contemporanea, Roma, 2004. (ISBN 883-7-03050-9).
- "Point Blank," Artist Book, Imschoot Uitgevers, Belgium, 2004 limited edition of 1000 copies (ISBN 9077362126)
- "Fingered" Imschoot Uitgevers, 2006. (ISBN 90-77362-33-9).
- "Irrespektiv." BOM / Actar, 2007. (ISBN 978-84-934879-5-9).
- "Be Contemporary #07" Edited by Kendell Geers, Be Contemporary Publishers, France, (ISBN 978-2-91863-000-5)
- "Kendell Geers 1988–2012." Edited by Clive Kellner, Prestel, 2012. (ISBN 978-3791353005)
- "Hand Grenades From My Heart". Edited by Jerome Sans, Blue Kingfisher, Hong Kong, 2012. (ISBN 978-988-15064-7-4)
- "Aluta Continua," Edited by Kendell Geers, ArtAfrica Magazine March 2017
- "AniMystikAKtivist: Between Traditional and the Contemporary in African Art" Essays by Jens Hoffmann and Z.S. Strother, Mercatorfonds and Yale University Press, 2018, (ISBN 9780300233230)
- "IncarNations: African Art as Philosophy," Edited by Kendell Geers, Silvana Editoriale Italy, 2019, (ISBN 8836642993)
- "OrnAmenTum'EtKriMen" Danillo Eccher, M77 Gallery, Milano, 2020
