ヨーク・ヘラー
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- The Bernd Alois Zimmermann Prize of the City of Cologne
- The Förderpreis of the State of North Rhine–Westphalia
- The Prize of the International Composers’ Forum of UNESCO
- The Rolf Liebermann Prize for Opera Composers
- The Ordre des Arts et des Lettres in 1986 bestowed by the French Minister of Culture
- The 2010 University of Louisville Grawemeyer Award for Music Composition for the orchestral work Sphären
- 2011 ドイツ音楽作家賞器楽作品作曲賞[1]。
主要作品
- Fünf Stücke, for piano (1964)
- Diaphonie, for two pianos (1965, rev. 1974)
- Drei Stücke, for string quartet (1966)
- Herr, es ist Zeit (text: Rainer Maria Rilke), for soprano, flute, harp, harpsichord, celesta, and string quartet (1966)
- Topic, for large orchestra (1967)
- Sonate informelle, for piano (1968)
- Sonata, for solo cello (1968)
- Epitaph für Jan Palach, for violin and piano (1969)
- Piano Concerto no. 1, for piano and orchestra (1970)
- Horizont, electronic music (1971–72, rev. 1975)
- Décollage, for two speaking choirs, electric guitar, electrically amplified cello, electronic organ, and tape (1972)
- Tangens, for cello, electric guitar, piano, electric organ, and two analog synthesizers (1973)
- Chroma, for large orchestra and live electronics (1972–74)
- Klanggitter, for cello, piano, synthesizer, and tape (1975–76)
- Antiphon (String Quartet no. 1), for string quartet and electronically transformed string quartet on tape (1976, rev. 1984)
- Arcus, for 15 instruments, percussion, and tape (1978)
- Moments musicaux, for flute and piano (1979)
- Mythos, tone poem for 13 instruments, percussion, and electronic sounds (1979–80)
- Umbra, for large orchestra and tape (1979–80)
- Résonance, for orchestra and computer-generated sounds on tape (1981)
- Schwarze Halbinseln, for large orchestra, with vocal and electronic sounds on tape (1982)
- Pas de trois, for viola, cello, contrabass (1982)
- Traumspiel (text: August Strindberg), for soprano, large orchestra, and electronics (1983)
- Magische Klanggestalt, for large orchestra (1984)
- Improvisation sur le nom de Pierre Boulez, for 16 instrumentalists (1984)
- Piano Sonata no. 2 (Hommage à Franz Liszt) (1986)
- Der Meister und Margarita, opera in two acts after the novel by Mikhail Bulgakov (1984–89)
- Fanal, for trumpet and orchestra (1989)
- Aura, for large orchestra (1992, rev. 1996)
- Pensées (Piano Concerto no. 2), for piano, orchestra, and electronics (1993)
- Pas de deux, for cello and piano (1993)
- Tagträume, for violin, cello, and piano (1994)
- Gegenklänge, for 18 instruments (1996)
- Double, for orchestra (1996)
- Partita, for two pianos (1996)
- String Quartet no. 2 (1997)
- Initium, for piano (1998)
- Widerspiel, for two pianos and large orchestra (1996–99, rev. 2009)
- Movement, for large orchestra (1998–99)
- Herbsttag (text: Rainer Maria Rilke, for mezzo soprano, flute, harp, harpsichord, celesta, and string quartet (1999)
- Verzweigung, for piano (1999)
- Aufbruch, for orchestra (1999)
- Ex tempore, for flute, oboe, clarinet (doubling bass clarinet), percussion, violin, viola, cello, harp, and piano (2001)
- Trias, for alto saxophone, percussion, and piano (2001)
- Der ewige Tag, for chorus, orchestra, and electronics (2001)
- Monogramme, for piano (1998–2003)
- Klangzeichen, for wind quintet and piano (2003)
- Scan, for solo flute (2003)
- Feuerwerk, for 17 instrumentalists (2004)
- Fluchtpunkte, for flute, English horn, clarinet, piano, and percussion (2006)
- Sphären, for orchestra (2001–06)
- Piano Quintet, Zweigestalt (2007)
- Doppelspiel for piano (two or four hands) (2006–09)
- Mouvements for cello and piano (2009), later expanded into the Cello Concerto
- Cello Concerto (2010–11)
- Piano Sonata no. 3 (2010–11)
- Aufschwung con tenuto, for clarinet, viola and piano (2012)
- Crossing, for ensemble and electronics (2012–13)
- Voyage for orchestra (2013–14)
著作
- 1982. Gestaltkomposition oder Die Konstruktion des Organischen. In Neuland Jahrbuch II, 1981/82, edited by Herbert Henck, 140–43. Bergisch Gladbach: Neuland.
- 1989. "Composition of the Gestalt, or the Making of the Organism." Translated by Nigel Osborne. Contemporary Music Review 1, no. 1 ("1984: Musical Thought at IRCAM"): 35–40.
- 1989. "Resonance: Composition Today." Translated by Nigel Osborne. Contemporary Music Review 1, no. 1 ("1984: Musical Thought at IRCAM"): 67–76.
- 1994. Fortschritt oder Sackgasse? Kritische Betrachtungen zum frühen Serialismus. Saarbrücken: Pfau-Verlag.
- 2004. Klanggestalt—Zeitgestalt. Texte und Kommentare 1964–2003. Musik der Zeit 10, edited by Reinhold Dusella. Berlin: Boosey und Hawkes (Text) ISBN 3-7931-1697-2, and Bote und Bock (Music) ISMN M-2025-2231-8
参考文献
- Blumröder, Christoph von. 1983. "York Höller: Schwarze Halbinseln." In Begleitheft der Schallplattenedition Zeitgenössische Musik in der Bundesrepublik Deutschland, vol. 10: 1970–1980, pp. 14–15 [German], 30–31 [English]. Bonn: Deutscher Musikrat.
- Lichtenfeld, Monika. 2001. “Höller, York (Georg)”. The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
- Morawska-Büngeler, Marietta. 1988. Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunk in Köln 1951–1986. Cologne-Rodenkirchen: P. J. Tonger Musikverlag.
- O'Súilleabháin, Finbar. 1992. [Letter to the Editor]. Tempo new series, no. 181 (June): 68.
- Stenzl, Jürg. 1991. "York Höller's The Master and Margarita: A German Opera", translated by Sue Rose. Tempo new series, no. 179 (December): 8–15.
