16th Fajr International Film Festival
Film festival in Iran
From Wikipedia, the free encyclopedia
The 16th Fajr International Film Festival (Persian: شاÙزدÙÙ Û٠جشÙÙار٠بÛÙâاÙÙ ÙÙÛ ÙÛÙÙ Ùجر) held 1â11 February 1998 in Tehran, Iran.
Official poster | |
| Opening film | The Glass Agency |
|---|---|
| Location | Tehran, Iran |
| Founded | 1983 |
| Awards | Crystal Simorgh |
| Editor-in-chief | Seifollah Dad |
| Festival date | 1â11 February 1998 |
| Language | Persian, English |
The Glass Agency (Ebrahim Hatamikia, 1998) was the festival's best film in "Competition of Iranian Cinema" and The Promise (Luc Dardenne and Jean-Pierre Dardenne, 1996) âa Belgian filmâ was the festival's best film in "Competition of International Cinema".
The Glass Agency won a record-tying nine awards including Best Film, Best Director and Best Screenplay.
Selection committee
Majid Nadiri, festival's public relations officer, was announced the selection committee members on 3 January as below:[1]
- Parvaneh Massoumi, actress
- Mohammad-Reza Honarmand, director
- Manouchehr Asgarinasab, director
- Zia Hashemi, producer
- Abdollah Esfandiari, producer
Juries
- Competition of Iranian Cinema
- Ezatollah Entezami, Actor
- Kiumars Pourahmad, director
- Ahmad-Reza Darvish, director
- Fereshteh Taerpour, producer
- Majid Majidi, director
- Competition of International Cinema[2]
- Abbas Kiarostami, Iranian director
- Marco Mueller, Italian producer
- Jean-Michel Frodon, French film critic
- Tadao Sato, Japanese film critic
- Sandip Ray, Indian director
Competition of Iranian Cinema
| Closing ceremony of the 16th Fajr International Film Festival | |
|---|---|
| Date | 11 February 1998 |
| Site | Vahdat Hall |
| Highlights | |
| Best Film | The Glass Agency |
| Most awards | The Glass Agency (8) |
| Most nominations | The Glass Agency (13)[a] |
Awards and nominations of the Competition of Iranian Cinema sections are below:[3]
- Audience Choice
|
- Competition
|
|
|
|
|
Best Supporting Actor
|
Best Supporting Actress
|
|
Best Cinematography
|
|
Best Film Editing
|
Best Score
|
|
Best Sound Mixing
|
Best Sound Recording
|
|
Best Costume Design
|
Best Makeup
|
|
Best Special Effects
|
- Non-nomination Crystal Simorgh
|
- Films with multiple nominations and awards
The following 10 films received multiple nominations:
| Nominations | Film |
|---|---|
| 13[a] | The Glass Agency |
| 8 | The Tree of Life |
| 7 | Birth of A Butterfly |
| The May Lady | |
| 3 | Mercedes |
| The Sorcerer | |
| The Pear Tree | |
| 2 | Psycho |
| The Cloud and the Rising Sun | |
| Takhti: The World Champion |
The following 3 films received multiple awards:
| Awards | Film |
|---|---|
| 8 | The Glass Agency |
| 2 | The Tree of Life |
| Birth of A Butterfly |
Competition of International Cinema
|
Crystal Simorgh for Best Film
|
Crystal Simorgh for Best Director
|
|
Crystal Simorgh for Best Performance
|
Crystal Simorgh for Best Screenplay
|
- Non-nomination Crystal Simorgh
|
Crystal Simorgh of Special Jury Prize
|
- Additional Honorary Diploma
- Best Cinematography: Mahmoud Kalari â The Pear Tree (Iran)
- Best Costume Design: Malek-Jahan Khazai and Mojtaba Ra'i â Birth of A Butterfly (Iran)
Non-competitive sections
The festival's other sidebar sections included tributes to Anthony Quinn and Ezzatolah Entezami, retrospectives of the works of three directors âFred Zinnemann, Krzysztof KieÅlowski and Ebrahim Hatamikiaâscreening of the selected works for which Ennio Morricone had composed the music, "Festival of Festivals", and special screenings.[2]
Facing Mirrors
Retrospective of the Fred Zinnemann's career highlights:[4]
- The Men (1950)
- High Noon (1952)
- Behold a Pale Horse (1964)
- A Man for All Seasons (1966)
- The Day of the Jackal (1973)
- Julia (1977)
Retrospective of the Krzysztof KieÅlowski's career highlights:[4]
- Personnel (1975 TV film)
- The Calm (1976)
- Camera Buff (1979)
- Short Working Day (1981)
- Dekalog (1988 TV series): 1, 8 and 10 episodes
- A Short Film About Killing (1988)
The Green Narrative
Retrospective of the Ebrahim Hatamikia's career highlights:
- Identity (1987)
- The Scout (1989)
- The Immigrant (1990)
- Union of the Good (1992)
- From Karkheh to Rhein (1993)
- The Green Ashes (1994)
- The Scent of Joseph's Shirt (1996)
- Minoo Watchtower (1996)
- The Glass Agency (1998)
For All Seasons
Tribute to the Anthony Quinn by screening of 14 films of his career.[5]
Tribute to the Ezzatolah Entezami by his career highlights:
- The Cow (Dariush Mehrjui, 1969)
- Hajji Washington (Ali Hatami, 1982)
- Kamalolmolk (Ali Hatami, 1985)
- The Lodgers (Dariush Mehrjui, 1987)
- The Stony Lion (Masoud Jafari Jozani, 1987)
- Grand Cinema (Hassan Hedayat, 1989)
- Once Upon a Time, Cinema (Mohsen Makhmalbaf, 1992)
- The Quiet Home (Mehdi Sabbaghzadeh, 1992)
- The Angel's Day (Behrouz Afkhami, 1994)
- The Blue-Veiled (Rakhshan Bani-Etemad, 1995)
Once Upon a Time
Tribute the Ennio Morricone by his career highlights:[4]
- A Fistful of Dollars (Sergio Leone, 1964)
- The Hawks and the Sparrows (Pier Paolo Pasolini, 1966)
- My Name Is Nobody (Tonino Valerii, 1973)
- Last Days of Mussolini (Carlo Lizzani, 1974)
- Todo modo (Elio Petri, 1976)
- The Desert of the Tartars (Valerio Zurlini, 1976)
- Casualties of War (Brian De Palma, 1989)
- The Escort (Ricky Tognazzi, 1993)
- The Long Silence (Margarethe von Trotta, 1993)
- A Pure Formality (Giuseppe Tornatore, 1994)
Ceremony information
63 films were requested to participate in the festival which 22 of them were approved for the "Competition of Iranian Cinema" section.[3] For the first time, FIFF had had opening ceremony that took place on 31 January 1998, at the City Theater in Tehran, Iran. Also for the first time, press conference for each film of the competitive sections was held at the Sahra Cinema.[6] elimination of the "Debut Films" section is another feature of festival's this edition.[7]
The "Competition of International Cinema" section in the festival was introduced for the second time. The first time was in 1990.[2] The section was added in order to FIFF accredit by FIAPF as a competitive international film festival.[7] Sheila Whitaker mentioned that this was the first time in the festival's history, held an international competition with an international jury, headed by Abbas Kiarostami.[8] At the closing ceremony, Kiarostami read out a statement in which he made it clear that the jury felt it impossible to give awards to foreign films that could only be screened in Iran with major cuts.[c][8]
The "Iranian Film Market" (IFM) was established and took place during the festival. For example, National Film Development Corporation of India (NFDC), the central agency of Indian cinema, sent a delegation to the IFM and spent â¹83,864 (equivalent to â¹380,000 or US$4,000 in 2023) at this market.[9]
Critical response
16th FIFF marked by a powerful selection committee that did not allow many commercial films to enter into competition section. An Audience Award also introduced this year. All these made the FIFF regain the credibility it had in the past, i.e. before the politicians not familiar with cinema took charge.[10] However, impact of the former government's policies still remained.[11]
